"the parchment ... is in phenomenally good condition" - Helen Shenton

Steven Avery

Administrator
One of the things we found is that the parchment, which is 1600 years old, is in phenomenally good condition. - Helen Shenton, 3:38.

You can even hear an amused or astonished chuckle.

A BBC Article on the Codex Sinaiticus

Today, the British Library and CSP reps tend to be a bit more guarded :).

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On the 5th of July 2009, Helen Shenton was one of only three people alive who had seen the entire Codex Sinaiticus ... Helen Shenton is Librarian and College Archivist at Trinity College Dublin.

Collaboratories and bubbles of shush – how libraries are transforming | Helen Shenton | TEDxDublin

https://www.youtube.com/watch?v=pHdlWQ28gE8
 
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Steven Avery

Administrator
"the parchment ... is in phenomenally good condition" - Helen Shenton - "only three people alive"

The quote was questioned for context on CARM. :)
And this response was placed here:
https://forums.carm.org/vb5/forum/t...nt-frederico-augustanus?p=5071301#post5071301

Steven Avery said:
Please be sure to look at this British Library video:

The Codex Sinaiticus: The Oldest Surviving Christian New Testament - The Beauty of Books - BBC Four
https://www.youtube.com/watch?v=U4Xk...NyR9M5iDjY25kg


And remember how Helen Shenton of the British Library shared that the manuscript is in "phenomenally good condition"!

As to the Helen Shenton comment, which was questioned as "clipped without context", that is also available online:

A BBC article on the the Codex Sinaiticus.(2009)

Helen Shenton is introduced at 3:35, the quote is soon after:and goes to 3:55.

"One of the things that we found is that the parchment, which is 1600 years old, is in phenomenally good condition. It's very very, very fine parchment. The animal husbandry that there must have been in order to produce such parchment is incredible, absolutely incredible"
The reason for the phenomenally good condition?

Our savvy readers will know.
smile.png


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Steven Avery
 
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Steven Avery

Administrator
Access became available with the Codex Sinaiticus Project, which exposed features that show that it is a modern manuscript, tampered, between 1844 and 1859.

This is Helen Shenton as well, I recommend from 2:50 to 3:30.

On the 5th of July 2009, I (Helen Shenton) was one of only three people alive who had seen that text, the Codex Sinaiticus, in all four locations...
Helen Shenton is Librarian and College Archivist at Trinity College Dublin.

Collaboratories and bubbles of shush how libraries are transforming
Helen Shenton - TEDxDublin

https://www.youtube.com/watch?v=pHdlWQ28gE8

We are often given harumphs about how the independent scholars must have seen the main two sections of Sinaiticus. There is no indication that any independent (or even non-independent) textual or palaeographic scholars has had access to the two main sections, and compared even the simplest of features, the colour. Nor have they commented on the suppleness, the "phenomenally good condition", the lack of oxidation and foxing, and other elements that would raise the issue of the actual age of the manuscript.

As far as we can tell, the scholars have worked off the tampered facsimile of Tischendorf, and the 2010 Hendricksen Sinaiticus facsimile book also had the colour "smoothed" to hide the distinction of the CFA from the larger section.

No printed book can ever show you the suppleness of the manuscript. That is why we also recommend viewing the video of the pages being turned, lightly and simply, put out by the British Library.

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Steven Avery
 
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Steven Avery

Administrator
CARM
https://forums.carm.org/threads/is-the-worlds-oldest-bible-a-fake.11375/page-16#post-927495

Yes, read the lines, and between the lines.

The main page is:

Parchment Assessment of the Codex Sinaiticus
Gavin Moorhead
May 2009
https://codexsinaiticus.org/en/project/conservation_parchment.aspx

Gavin Moorhead acknowledges the colour difference of the British Library and Leipzig sections.
We can run through the ink section later, it was fun going back over this amazing page.

"next to nothing is known about the parchment used for the Codex."
"Overall, the condition of the parchment is exceptional for its age."
"Low in levels of significant degradation."
"The parchment is .. Supple and flexible in quality."

What can be said with certainty is that any 4th Century parchment with this amount of flexibility, thinness, maker’s holes, repairs and striation is exceptional. It remains indeterminate how these features came to be or how the making process and rigors of history have impacted on the longevity of the parchment.

What can be said with certainty is that any 4th Century parchment with this amount of flexibility, thinness, maker’s holes, repairs and striation is exceptional.

New parchment can be near white but as it ages or is exposed to detrimental factors it will start to yellow and go brown-black if left to degrade completely.... Only a few folios in the codex could be considered to be heavily discoloured and these tended to be the folios that were once adjacent to missing parts and therefore, more exposed.

Opacity values for the codex did not vary significantly and tended to reflect thickness variances rather than increased degradation.

Apart from a small percentage of folios with heavy ink corrosion, most of the folios appeared to have survived the rigours of 16 centuries with an unexpected lack of damage, suffering in the main only from small tears and losses along the head, tail, fore-edge and spine folds. Much of this damage is more likely attributable to mechanical damage than physical deterioration.... the minimal damage and good condition

"the parchment is extremely fine with relatively few extant imperfections and markings"
"low incidence of follicle, axilla and scarring evidence"

the relatively small amount of ink corrosion and brittleness

Most of the scarring is small in size and tends to occur in the margins near the edges ... the lack of significant scarring

The number of folios in the Codex Sinaiticus with maker’s holes is small and when evident, the holes tend to be located in the margins, well away from the text. The majority of the holes themselves are small (<5mm in diameter) ... no obvious evidence of a makers repair apart from a part-obscured hole... Evidence of striation on the folios of the codex is not abundant

And very unspecific notations:

  • Affected by long-term ink corrosion.
  • Affected by gelatinisation
All analysis and description is circular, assuming the age from the textual critics who got it from the Tischendorf con, and then the British Museum were the Russian marks.

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"The method of pricking and ruling[21] set the model for later Greek and Latin manuscripts that followed in the next 1000 years."

This looks like an acknowledgment that this is actually a later development than fourth century.

Similarly:

"the margin areas are generous at a time when parchment was expensive to produce"

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"the twentieth-century binding tending to hide its codicological history"

An allusion to the disaster of the Douglas Cockerell binding mania, which was pointed out by Kirsopp Lake.

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Actually helpful microscopic analysis:

René Larsen[27] has determined two types of animal origin; calf and wool sheep (see figs.3 and 4). He examined 28 folios with significant follicle evidence and was able to positively identify 15 as calf; 4 as most likely calf; 2 as wool sheep and the remaining 7 as unidentifiable.

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