there are eight tones whose composition is traditionally attributed to
Published in 2012 by Britannica Educational Publishing (a trademark of Encyclopædia Britannica, Inc.) in association wi...
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Arguably one the greatest influences on the Western world, if not the world as a whole, the Christian faith can be described as a cultural and religious colossus for the tremendous effect it has had on the development of civilization as we know it. Although centered around the figure of Jesus of...
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The weekly cycle is the continuation of the Resurrection cycle found in the Triōdion and the Pentēkostarion; each week following the Sunday after Pentecost (50 days after Easter) possesses its own musical tone, or mode, in accordance with which all the hymns of the week are sung. As described in the Octoechos (“The Book of Eight Tones”), there are eight tones whose composition is traditionally attributed to St. John of Damascus (8th century). Each week is centred around Sunday, the day of Christ’s Resurrection. The Easter and weekly cycles clearly dominate all offices of the entire year and illustrate the absolute centrality of the Resurrection in the Eastern understanding of the Christian message. The date of Easter, set at the Council of Nicaea (325), is the first Sunday after the full moon following the spring equinox. Differences between the East and the West in computing the date exist because the Orthodox church uses the Julian calendar for establishing the date of the equinox (hence a delay of 13 days) and also because of the tradition that Easter must necessarily follow the Jewish Passover and must never precede it or coincide with it. The yearly cycle includes the hymns for each of the 366 days of the calendar year, with its feasts and daily commemoration of saints. They are found in the 12 volumes of the Menaion (“Book of Months”). From the 6th to the 9th century the Byzantine church experienced its golden age of creativity in the writing of hymns by outstanding poets such as John of Damascus.
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The earthly worship of the church is probably the immediate source for the heavenly songs of the Apocalypse (Revelation 4:8–11; 5:9–10, 13–14; 7:9–12; 11:16–18; 19:1–8).
