steampunk studies - Lilia Diamantopoulou

Steven Avery

Administrator
Mirrors and Mirroring from Antiquity to the Early Modern Period (2020)
edited by Maria Gerolemou, Lilia Diamantopoulou
https://books.google.com/books?id=EV2-DwAAQBAJ&pg=PA189

1686827980042.png


==================================

Mirrors of women, mirrors of words: The mirror in the Greek papyri (2020)
Isabella Bonati and Nicola Reggiani
https://www.academia.edu/42168258/Mirrors_of_women_mirrors_of_words_The_mirror_in_the_Greek_papyri

53. On Konstantinos Simonides’ Byzantine forgery, see Diamontopoulou in this volume. Temple (2000,121-195) presents a vigorous, if occasionally rebarbative, argument in support of the existence of the telescope in antiquity; Plantzos (1997) presents a more sober and sceptical
view.

1686828474742.png


==================================
 
Last edited:

Steven Avery

Administrator
from dokumen

Notes to pp. 189–193 Robert Rauschenberg, Man Ray and James Rosenquist and was presented in a number of international exhibitions (USA, Italy, Mexico, Greece) curated and compiled by himself in the years 1975–1977. 2. Calas 1942, 200. 3. Simonides 1849, frontpage. 4. The section closes again with the wood print of the signature of Meletios (p. 174) and his testament (175–178) and is followed by the biography of Eulyros written by a certain Nikephoros Daidalou from Corfu (pp. 178–180). 5. Simonides 1849, 3 Fn. 1; 61 (source in Greek). 6. Simonides 1849, 19. 7. For further reading see Van Helden/Dupré/Van Gent 2010, Edgerton 2009 and Willach 2008. 8. Simonides 1849, 93 (source in Greek). 9. This is for example the case in a miniature in a manuscript from the thirteenth century (No. 11040, Burgundy Library Brussels) printed in Beebe 1938, Fig. 6. 10. Busch 1804, 196. 11. For a thorough examination of the Archimedean mirror legend, see Simms 1977, 1–24. 12. To the list of sources mentioned by Busch Diocles should be added; see Toomer 1976. For burning glasses in Greek antiquity in general Knorr 1983 and Acerbi, 2011. 13. The Archimedian invention is discussed in Dutens 1775. Cf. also Donndorf ‘Metallspiegel’, ‘Brennspiegel’, Donndorf, 1818, 76; both could be Simonides’ sources. 14. See Ars magna lucis et umbrae, Rome 1646, 888, Tab. XXXI. 15. Simonides 1849, 104–105. 16. See Simonides 1849, 20 footnote. For more information about Anthemius see Huxley 1959. 17. Niebuhr 1828, Book E, pp. 291–294. 18. Simonides may have known the ‘Fragments’ of Anthemius through the edition of Westermann’s Παραδοξογράφοι [Marvel Writers] whose work may generally have been a source of inspiration for Simonides. Cf. specifically for mirrors and their typology in Anthemius, Westermann 1839, 149–158. 19. Simonides notes in a footnote to this invention: ‘What can one say about this ball of light? Physicists should comment on this’ (p. 23, fn. 1).

20. According to recent research, the painter Panselinos became legendary, so that the question has now been raised if he was ‘man or metaphor’; on that see Milliner 2016.

21. Didron 1845, XXI, XXIII–XXVI and Kakavas 2008, 10. Brockhaus 1891, 160 fn. 3 mentions two manuals he saw in Karyes. Kakavas 2008, 267–301 lists 69 manuscripts of the ‘Painters’ Manual’, four of which he attributes to Simonides. See also Hetherington’s list on pp. 113–115. The publication contains many comments and has a long introduction. It is interesting that Didron dedicated it to the writer Victor Hugo, ‘the immortal author of the Notre Dame de Paris [L’immortel auteur de Notre-Dame de Paris]’, Didron 1845, frontpage. The manual was printed at the expense of the French government, see Unger 1870, 292. 22. See Omont 1888, 367, No. 38 and Kakavas 2008, 11. According to Omont 1888, 367, 38 and 39 and ibid. 1890, 432–433, there were two manuscripts in the Municipal Library in Chartres that came from Paul Durand to the library. Durand No. 827 (in Omont No. 38) is a copy made by Simonides at Athos around 1840 (Pap. 268 fol. P.); Durand 828 (in Omont No. 39) is a copy made by Durand (Pap. 409 fol. P). However, the former was destroyed during a bombing in 1944, see Hetherington 1974, V Fn. 7 and Kakavas 2008, 270–271. The manuscript 243

Notes to pp. 193–195 contained a note written by Durand (Hetherington 1974, v. 7) stating it was purchased from Simonides in 1847. There was a note from Simonides, that he had found it on Mount Athos on 15 March 1840 and copied it (Omont, 1888, 3, 367, no. 38). See also Papadopoulos Kerameus 1909, ε’, footnote 3 and Kakavas 2008, 11 footnote

23. For further headings of the manuscripts related to Simonides see Papadopoulos-Kerameus 1909, ιγ’-ιε’, Fn. 1. 23. Papadopoulos-Kerameus 1909, ε’-η’, ιδ’-κε’ and Kakavas 2008, 11.

24. See Lykourgos 1856, 45ff. Brockhaus 1891: 158–161 deals extensively with the question of the linguistic differences between the manuscripts. Sathas 1868, 99–100, on the other hand, is deceived by Simonides and sees in the modern Greek of the manual an important example for the vernacular of the fifteenth century, its alleged time of writing.

25. For more details on this case see Mitsou and Diamantopoulou in Müller/Diamantopoulou/ Gastgeber/Katsiakiori-Rankl 2017, 71–86 and 27–53.

26. See Kakavas 2008, 12.

27. Simonides dates the life of the inventor of the heliotype Manouil Panselinos to the sixth century and specifically in 518 ad. In the Symais a second painter called Panselinos is mentioned, who acted around 1032–1085. In his work Νικολάου επισκόπου Μεθώνης, Λόγος προς τους Λατίνους [Speech of Nikolaos, bishop of Methoni, to the Latins] (Simonides 1858) he mentions three other painters of the same name.

28. Simonides 1853, § 64, 40–41 (source in Greek). 29. For a detailed discussion of this omission and a comparison of the French and the Simonideian editions, see Rangavis 1851, 554–555. 30. ‘Aτέλειαν του εκγαλλισθέντος χειρογράφου, ή εις κακοβουλίαν του μεταφραστού’ (Simonides, Αμάλθεια Nr. 508, quoted after Rangavis 1851, 554). Rangavis points out the problems of this argument and says that such a ‘malicious concealment’ is a ‘patriotism that transcends that of Curtius, or is incredible stupidity’ (Rangavis 1851, 554). 31. Oikonomos refers to the manuscript as antique (‘χειρόγραφον αρχαίον σώζεται’ Oikonomos 1849, 4, 218, Fn. α) and recognizes in the heliotype a form of iconography which he compares to the daguerrotype. See also Papadopoulos-Kerameus 1909, στ᾽-ζ’, Rangavis 1851, 553 Fn. β and Brockhaus 1891, 160 Fn. 4. Manouil Gedeon names Panselinos as the first inventor of photography: ‘πρώτος εφευρέτης της φωτογραφίας, γράψας μάλιστα, κατά την παράδοσιν, και βιβλίον περί αυτής’, Gedeon 1876, 53–54. See also Vasilaki 1999, 45. 32. The connection of Simonides’ anachronistic technologies with the term ‘steampunk’ was first formulated by Siniosoglou 2016, 315. 33. Simonides 1853, § 64, 43 (source in Greek). In Hero of Alexandrias De Speculis, 22 occurs a similar description: Hero refers to a mirror on the ceiling of a room reflecting the view of the street through a tube that penetrates the wall of a certain building. The resident of this building was able to see, without being seen, the movement of passers-by outside. For further reading on mirrors and reflected images in Hero see Gerolemou and Bur in this volume. 34. For further reading on the camera obscura in art and science see Lefèvre (2007). For the early steps of photography in Greece see Xanthakis 1981. 35. For example, the work of the Russian art collector, amateur archaeologist and photographer Piotr Sevastianov (1811–1867) is well-known. He toured Athos at an early age, around 1851, 1852, and later more extensively from 1857–1860, and not only painted copious icons with several major Russian missions and other treasures, but also made numerous photographs; see Pyatnitsky 2011. 36. According to a theory advocated by the artist David Hockney and the physicist Charles M. Falco, art itself was revolutionized by the use of optical instruments, rather than solely due to 244

Notes to pp. 195–197 the development of artistic skills per se. In his book Secret Knowledge (2001) Hockney presented rich visual evidence to prove his theory, followed by an anthology of textual sources about vision and optics and the transcription of letters exchanged between various academics and himself during his research. It also includes pictures of Hockney’s Great Wall (2000), which organizes printed images of art history; remarkably it begins with an Italo-Byzantine mosaic of the twelfth century from Norman Sicily. Obviously, the main concern of the artist is to visualize the abrupt shift towards a more naturalistic style during the Italian Renaissance, which Hockney explains by the use of lenses and mirrors – the two basic elements of the modern camera – in painting. 37. Didron 1845, 7. 38. Simonides 1864, 51. 39. Grafton 1991, 45–47. 40. See Kladaki-Vratsanou 2009 and 2010. The manuscript is owned by his grandson Loukas Kyramarios, who made it accessible online http://kyramarios.blogspot.com (accessed 15 December 2018). 41. This aspect of counterfeiting activities (also fake news, forged letters and documents) during the first years of the Independence War and in the early Greek State is the subject of a project I am leading at the University of Hamburg, financed by the German Ministry of Education and Research (BMBF).
 

Steven Avery

Administrator
246

BIBLIOGRAPHY

Introduction Abrams, M. H. (1971), The Mirror and the Lamp: Romantic Theory and the Critical Tradition, Oxford. Addey, C. J. (2007), ‘Mirrors and Divination: Catoptromancy, Oracles and Earth Goddesses in Antiquity’, in M. Anderson (ed.), The Book of the Mirror: An Interdisciplinary Collection Exploring the Cultural Story of the Mirror, Newcastle, 32–46. Aggelopoulou, A. and Mprouskou, A. (1994), Επεξεργασία παραμυθιακών τύπων και παραλλαγών ΑΤ 700–749, Athens. Anderson, M. (ed.) (2008), The Book of the Mirror: An Interdisciplinary Collection Exploring the Cultural Story of the Mirror, Newcastle. Bartsch, S. (2006), The Mirror of the Self: Sexuality, Self-Knowledge, and the Gaze in the Early Roman Empire, Chicago. Baudrillard, J. (1973), Le miroir de la production ou l’illusion critique du matérialisme historique, Paris. Baudrillard, J. (1981), Simulacres et simulation, Paris. Baudrillard, J. (2012), ‘Structures of Interior Design: Mirrors and Portraits’, in K. Mezei, Kathy and Ch. Briganti (eds), The Domestic Space Reader, Toronto, 210–14. Beretta, M. (2009), The Alchemy of Glass: Counterfeit, Imitation, and Transmutation in Ancient Glassmaking, Sagamore Beach, MA. Carman, Ch. H. (2014), Leon Battista Alberti and Nicholas Cusanus: Towards an Epistemology of Vision for Italian Renaissance Art and Culture. Visual Culture in Early Modernity, Farnham. Cocteau, J. (1999), Le sang d’un poète, Lincoln, NE [reprint]. Congdon, L. O. K. (1981), Caryatid Mirrors of Ancient Greece: Technical, Stylistic and Historical Considerations of an Archaic and Early Classical Bronze series, Mainz. Coupland, D. (2015), Die 2 ½ste Dimension. Notizen zu Selfies, in A. Bieber and D. Coupland (eds), Ego Update – Die Zukunft der digitalen Identität, Düsseldorf, 22–29. De Grummond, N. T. and Hoff, M. (1982), ‘Mirrors of the Mediterranean’, in N. T. De Grummond, A Guide to Etruscan Mirrors, Tallahassee, 52–58. De Puma, R. D. (2013), ‘Mirrors in art and society’, in J. M. Turfa (ed.), The Etruscan World, London and New York, 1041–1067. Dimitropoulos, D. (1996), ‘Στοιχεία για τον οικιακό εξοπλισμό στα χρόνια της οθωμανικής κυριαρχίας: η περίπτωση του καθρέφτη’, Τα ιστορικά 13, No. 24–35, 37–62. Eco, U. (1984), Semiotics and the Philosophy of Language, Indianapolis. Eco, U. (1993), Über Spiegel und andere Phänomene, Munich. Edgerton, S. Y. (2009), The Mirror, the Window, and the Telescope. How Renaissance Linear Perspective Changed Our Vision of the Universe, Ithaca, NY. Eler, A. (2017), The Selfie Generation, New York. Etheridge, K. (2016), Dynamic Reflections: Mirrors in the Poetic and Visual Culture of Paris from 1850 to 1900, Lincoln College, PhD Thesis. Fausing, B. (2015), ‘Self-media: The self, the face, the media and the selfies’, Triade 3(1): 100–119. Foucault, P. M. (1986), ‘Of other spaces’, Diacritics 16(1): 22–27 (English translation of ‘Des espaces autres’). 247

Bibliography Frelick, N. M. (ed.) (2016), The Mirror in Medieval and Early Modern Culture: Specular Reflections, Turnhout. Gessmann, G. (1905), Katechismus der Wahrsagerkünste, Berlin. Gilson, S. A. (2000), Medieval Optics and Theories of Light in the Works of Dante, Lewiston, NY. Gojny, T., Kürzinger, K. and Schwarz, S. (eds) (2016), Selfie – I Like It: Anthropologische und ethische Implikationen digitaler Selbstinszenierung, Stuttgart. Grabes, H. (1982), The Mutable Glass: Mirror-Imagery in Titles and Texts of the Middle Ages and the English Renaissance, Cambridge and New York. Hockney, D. (2001), Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters, London. Hockney, D. and Falco, Ch. M. (2000), ‘Optical insights into Renaissance art’, Optics and Photonics News 11: 52–59. Ilardi, V. (2007), Renaissance Vision from Spectacles to Telescopes, Philadelphia, PA. Jonsson, F. M. (1995), Le Miroir, naissance d’un genre littéraire, Paris. Kaplanis, T. (2001), ‘Women in the looking-glass, The philogynous Dapontes (1713–1784) within the misogynous tradition of the Middle Ages’, Comparaison 12: 48–70. Koukoules, Ph. (1952), Βυζαντινών Βίος και πολιτισμός, Vols 4 and 5, Athens. Koukoules, Ph. (1957), Βυζαντινών Βίος, Vol. AII, Athens, 155–226. Lacan, J. (1966), ‘Le stade du miroir comme formateur de la fonction du Je telle qu’elle nous est révélée dans l’expérience psychanalytique’, in J. Lacan, Écrits, Paris, 93–100. Lejeune, A. (1957), Recherches sur la catoptrique grecque, Mémoires de l’Académie Royale de Belgique: Classe des lettres et des sciences morales et politiques 52.2, Brussels. Lindberg, D. C. (1975), A Catalogue of Medieval and Renaissance Optical Manuscripts, Toronto. Lindberg, D. C. (1976), Theories of Vision from al-Kindi to Kepler, London. Lindberg, D. C. (1983), Studies in the History of Medieval Optics, London. Mabille, P. (1938), ‘Miroirs’, Minotaure 11: 14–18, 66. Mabille, P. (1940), Le miroir du merveilleux, Paris. MacFarlane, A. and Martin, G. (2002), Glass: A World History, Chicago. McCarty, W. (1989), ‘The shape of the mirror: Metaphorical catoptrics in Classical literature’, Arethusa 22: 161–195. Melchior-Bonnet, S. (2001), The Mirror: A History, trans. Katharine H. Jewett; with a Preface by Jean Delumeau, New York and London. Nolan, E. P. (1990), Now Through a Glass Darkly: Specular Images of Being and Knowing from Virgil to Chaucer, Ann Arbor, MI. Pendergrast, M. (2003), Mirror Mirror: A History of the Human Love Affair with Reflection, New York. Pendergrast, M. (2008), ‘Mirror mirror: A historical and psychological overview’, in M. Anderson (ed.), The Book of the Mirror: An Interdisciplinary Collection Exploring the Cultural Story of the Mirror, Newcastle, 1–15. Politis, N. G. (1975), ‘Βυζαντιναί παραδόσεις’, Λαογραφικά σύμμεικτα 2: 23–27. Reinle, Ch. and Winkel, H. (eds) (2011), Historische Exempla in Fürstenspiegeln und Fürstenlehren, Frankfurt am Main. Rorty, R. (1979), Philosophy and the Mirror of Nature, Princeton, NJ. Schulte, J. M. (1999), Speculum regis. Studien zur Fürstenspiegel-Literatur in der griechischrömischen Antike, Hamburg. Simon, G. (1988), Le regard, l’être et l’apparence dans l’optique de l’antiquité, Paris. Smith, A. M. (2014), From Sight to Light: The Passage from Ancient to Modern Optics, Chicago. Stacey, P. (2007), Roman Monarchy and the Renaissance Prince, Cambridge. Taylor, R. (2008), The Moral Mirror of Roman Art, Cambridge. Tuczay, Ch. (2012), Kulturgeschichte der Mittelalterlichen Wahrsagerei, Berlin. Ulrich, J. P. (2016), Platonic Reflections in Apuleius, University of Pennsylvania, PhD Thesis. 248

Bibliography Vernant, J.-P. and Frontisi-Ducroux, F. (1997), Dans l’Sil du miroir, Paris. Werness, H. B. (2009), The Symbolism of Mirrors in Art from Ancient Times to the Present, Lewiston, NY.

Chapter 1 Asmis, E. (1986), ‘ “Psychagogia” in Plato’s “Phaedrus” ’, Illinois Classical Studies 11(1/2): 153–72. Bachvarova, M. R. (2012), ‘The transmission of liver divination from East to West’, SMEA 54: 143–64. Burkert, W. (1992), The Orientalizing Revolution: Near Eastern Influence on Greek Culture in the Early Archaic Age, Cambridge. Cain, R. B.. (2012), ‘Plato on Mimesis and Mirrors’, Philosophy and Literature 36(1): 187–95. Charbonneaux, J. (1958), Les bronzes grecs, Paris. Collins, D. (2008), ‘Mapping the entrails: The practice of Greek hepatoscopy’, American Journal of Philology 129(3): 319–45. Congdon, L. O. K. (1985), ‘Greek mirrors’, Notes in the History of Art, 4(2/3) (Winter/Spring): 19–25. Cornford, F. M. (1937), Plato’s Cosmology: The Timaeus of Plato, London. Durand, J-L. and Lissarrague, F. (1979), ‘Les entrailles de la cite’, Héphaistos I: 92–108. Frontisi-Ducroux, F. and Vernant, J-P. (1997), Dans l’oeil du miroir, Paris. Grummond, N. T. de (2002), ‘Mirrors, marriage, and mysteries’, Journal of Roman Archaeology Supplementary Series 47: 63–85. Halliday, W. R. (1913), Greek Divination: A Study of its Methods and Principles, London. Jastrow, M. (1907), ‘The liver in antiquity and the beginnings of anatomy’, Transactions of the College of Physicians of Philadelphia 29: 117–38. Johansen, T. K. (2004), Plato’s Natural Philosophy: A Study of the Timaeus-Critias, Cambridge. Lamb, W. (1969), Greek and Roman Bronzes, New York. Lloyd, G. E. R. (1987), The Revolutions of Wisdom: Studies in the Claims and Practice of Ancient Greek Science, Berkeley. Loraux, N. (1987), Tragic Ways of killing a Woman. Cambridge, MA. Lorenz, H. (2006), The Brute Within: Appetitive Desire in Plato and Aristotle, Oxford. Netz, R. and Squire M. (2016) ‘Sight and the perspectives of mathematics: The limits of ancient optics’, in M. Squire (ed.), Sight and the Ancient Senses, London, 55–67. Nutton, V. (2004), Ancient Medicine, London. Onians, R. B. (1954), The Origins of European Thought about the Body, the Mind, the Soul, the World, Time, and Fate, Cambridge. Rudolph, K. (2016), ‘Sight and the Presocratics: Approaches to visual perception in early Greek philosophy’, in M. Squire (ed.), Sight and the Ancient Senses, London, 36–53. Sheppard, A. (2003), ‘The mirror of the imagination: The influence of Timaeus 70eff.’, Bulletin of the Institute of Classical Studies 46(S78): 203–12. Shirazi, A. (2017), The Mirror and the Senses: Reflection and Perception in Classical Greek Thought, Dissertation, Stanford University. Simon, G. (1988), Le regard, l’être, et l’apparence dans l’optique de l’antiquité, Paris. Taylor, A. E. (1928), A Commentary on Plato’s Timaeus, Oxford. Tedlock, D. (1993), Breath on the Mirror: Mythic Voices and Visions of the Living Maya, San Francisco. Thulin, Carl (1906), Die Götter des Martianus Capella und der Bronzeleber von Piacenza, Gieszen. Van der Meer, L. B. (1987), The Bronze Liver of Piacenza: Analysis of a Polytheistic Structure, Amsterdam.

249

Bibliography

Chapter 2 Avotins, I. (1980), ‘Alexander of Aphrodisias on vision in the atomists’, Classical Quarterly 20: 429–54. Berryman, S. (2012), ‘ “It makes no difference”: Optics and natural philosophy in Late Antiquity’, Apeiron 45: 201–20. Bruns, I. (ed.) (1887), ‘Alexandri Aphrodisiensis de anima libri cum mantissa’, in Alexandri Aphrodisiensis praeter commentaria scripta minora (CAG Suppl. Arist. 2.1), Berlin. Burnyeat, M. (1992), ‘Is an Aristotelian philosophy of mind still credible?’ A Draft, in M. Nussbaum and A. Oksenberg Rorty (eds), Essays on Aristotle’s De anima, Oxford, 15–26. Burnyeat, M. (1995), ‘How much happens when Aristotle sees red and hears middle C? Remarks on De anima 2.7–8’, in M. Nussbaum and A. Oksenberg Rorty (eds), Essays on Aristotle’s De anima (p’back edn), Oxford, 421–34. Casati, R. (2012), ‘Mirrors, illusions and epistemic innocence, in C. Calabi (ed.), Perceptual Illusions. Philosophical and Psychological Essays, London, 192–201. Caston, V. (2005), ‘The spirit and the letter: Aristotle on perception, in R. Salles (ed.), Metaphysics, Soul, and Ethics in Ancient Thought, Oxford, 245–320. Caston, V. (2012), Alexander of Aphrodisias: On the Soul I, London. Crampton, E. A. (2016), Messengers, Mirrors and Light. Alexander of Aphrodisias on Visual Perception, PhD dissertation, UCL. Dooley, W. E. (1993), Alexander of Aphrodisias: On Aristotle’s Metaphysics 5, London. Duncombe, M. (2015), ‘Aristotle’s two accounts of relatives in Categories 7’, Phronesis 60: 436–61. Fotinis, A. P. (1979), The De anima of Alexander of Aphrodisias, Washington, DC. Hahm, D. (1978), ‘Early Hellenistic theories of vision and the perception of colour’, in P. K. Machamer and R. G. Turnbull (eds), Studies in Perception, Columbus, OH, 60–95. Harrari, O. (2011), ‘The unity of Aristotle’s category of relatives’, Classical Quarterly 61: 521–37. Hayduck, M. (ed.) (1891), Alexandri Aphrodisiensis in Aristotelis metaphysica commentaria (CAG 1), Berlin. Ierodiakonou, K. (2018), ‘Aristotle and Alexander of Aphrodisias on colour’, in B. Bydén and F. Radovic (eds), The Parva naturalia in Greek, Arabic and Latin Aristotelianism: Supplementing the Science of the Soul, Darmstadt, 77–90. Ierodiakonou, K. (forthcoming), ‘Two puzzles in post-Aristotelian theories of vision’, in B. G. Glenney and J. F. Pereira da Silva (eds), History and Philosophy of Perception, Oxford. Ingenkamp, H. G. (1971), ‘Zur stoischen Lehre vom Sehen’, Rheinisches Museum 114: 240–46. Lee, E. (1978), ‘The sense of an object: Epicurus on seeing and hearing’, in P. K. Machamer and R. G. Turnbull (eds), Studies in Perception, Columbus, OH, 27–59. Long, A. A. and D. N. Sedley (1987), The Hellenistic Philosophers (2 vols), Cambridge. Lorenz, H. (2007), ‘The assimilation of sense to sense-object in Aristotle’, Oxford Studies in Ancient Philosophy 33: 179–220. Løkke, H. (2008), ‘The Stoics on sense-perception’, in S. Knuuttila and P. Kärkkäinen (eds), Theories of Perception in Medieval and Early Modern Philosophy, Dordrecht, 35–46. Mugler, Ch. (1957), ‘hexis, schesis et schēma chez Platon’, Revue des Etudes Grecques 70: 72–92. Sambursky, S. (1959), Physics of the Stoics, New York. Sharples, R. W. (2002), ‘Some problems in Lucretius’ account of vision’, Leeds International Classical Studies 1: 1–11. Sharples, R. W. (2004a), Alexander of Aphrodisias: Supplement to On the Soul, London. Sharples, R. W. (2004b), ‘Alexander of Aphrodisias: What is a Mantissa?’, in P. Adamson, H. Balthussen and M. Stone (eds), Philosophy, Science and Exegesis in Greek Arabic and Latin Commentaries, London, 51–69. Sharples, R. W. (2005), ‘Alexander of Aphrodisias on the nature and location of vision’, in R. Salles (ed.), Metaphysics, Soul, and Ethics in Ancient Thought, Oxford, 345–62.

250

Bibliography Sharples, R. W. (ed.) (2008), Alexandri Aphrodisiensis de anima libri mantissa, Berlin. Sedely, D. (2002), ‘Aristotelian relativities’, in M. Canto-Sperber and P. Pellegrin (eds), Le style de la pensé. Recueil de textes en hommage à Jacques Brunschwig, Paris, 324–52. Sorabji, R. (1991), ‘From Aristotle to Brentano: the development of the concept of intentionality’, Oxford Studies in Ancient Philosophy, suppl. vol.: 227–59. Sorabji, R. (1992), ‘Intentionality and physiological processes: Aristotle’s theory of senseperception’, in M. Nussbaum and A. Oksenberg Rorty (eds), Essays on Aristotle’s De anima, Oxford, 195–225. Sorabji, R. (2005), ‘Aristotle on sensory processes and intentionality’, in D. Perler (ed.), Ancient and Medieval Theories of Intentionality, Leiden, 49–61. Todd, R. B. (1974), ‘ΣΥΝΕΝΤAΣΙΣ and the Stoic theory of perception’, Grazer Beiträge 2: 251–61. Towey, A. (2000), Alexander of Aphrodisias: On Aristotle on Sense Perception, London. Wendland, P. (ed.) (1901), Alexandri Aphrodisiensis in librum de sensu commentarium (CAG 3.1), Berlin.

Chapter 3 Addey, C. (2007), ‘Mirrors and divination: Catoptromancy, oracles and Earth goddesses in antiquity’, in M. Anderson (ed.), The Book of the Mirror, Cambridge, 33–46. Algra, K. (1999), ‘Walking images: Epicurean catoptrics in Lucretius DRN IV 318–323’, Elenchos 20: 359–79. Arrighetti, G. (1973), Epicuro, opere, 2nd edn, Turin. Avotins, I. (1980), ‘Alexander of Aphrodisias on vision in the atomists’, CQ 30: 429–54. Bailey, C. (1947), Titi Lucreti Cari De rerum natura Libri Sex, 3 vols, Oxford. Bruns, I. (1887), Alexandri Aphrodisiensis praeter commentaria scripta minora. De anima liber cum mantissa (CIAG. Supplementum aristotelicum 2.1), Berlin. Císar, K. (2001), ‘Epicurean epistemology in Lucretius’ De rerum natura IV 1–822’, LF 124(1–2): 1–54. Clay, D. (1983), Lucretius and Epicurus, Ithaca, NY. de Grummond, N. T. (2002), ‘Mirrors, marriage and mysteries’, Journal of Roman Archaeology Suppl 81: 63–85. Delatte, A. (1932), La Catoptromancie grecque et ses derives, Liège and Paris. Dillon, M. (2017), Omens and Oracles in Ancient Greece: Divination in Ancient Greece, London and New York. Fowler, D. P. (2002), Lucretius on Atomic Motion: A Commentary on Lucretius De rerum natura 2.1–332, Oxford. Garani, M. (2007), Empedocles redivivus: Poetry and Analogy in Lucretius, New York and London. Godwin, J. (1986), Lucretius De rerum natura IV, Warminster. Hine, H. M. (2010), Lucius Annaeus Seneca: Natural Questions. The Complete Works of Lucius Annaeus Seneca, Chicago, IL and London. Holwerda, D. (1977), Scholia in Aristophanem. Pars I. Prolegomena de Comoedia scholia in Acharnenses, Equites, Nubes (Fasc. III 1). Scholia Vetera in Nubes, Gröningen. Hunink, V. J. C. (1997), Apuleius of Madauros, Pro se de magia (Apologia), edited with a commentary (2 vols), Amsterdam. Jones, A. (2001), ‘Pseudo-Ptolemy De Speculis’, Sciamus 2 (Sources and Commentaries in Exact Sciences 2), 145–86. Jones, C. P. (2017), Apuleius. Apologia. Florida. De Deo Socratis, Loeb Classical Library 534, Cambridge, MA.

251

Bibliography Kenney E. J. (2014), Lucretius: De Rerum Natura Book III, 2nd edn (1st edn 1971), Cambridge. Koenen, M. H. (1996), ‘Latusculana disputatio: Lucretius, De rerum natura IV 311–317 in its Philosophical context, especially its relation to Plato, Timaeus 46 b6–c2’, in G. Giannantoni and M. Gigante (eds), Epicureismo greco e romano, Naples, 823–40. Lloyd, G. E. R. (1982), ‘Observational error in later Greek science’, in J. Barnes, J. Brunschwig, M. Burnyeat and M. Schofield (eds), Science and Speculation: Studies in Hellenistic Theory and Practice, Cambridge and Paris, 128–64. McCarty, W. (1989), ‘The shape of the mirror: Metaphorical catoptrics in Classical literature’, Arethusa 22: 161–96. Marković, D. (2008), The Rhetoric of Explanation in Lucretius’ De rerum natura, Mnemosyne Suppl. 294, Leiden. Munro, H. A. J. (1893), T. Lucreti Cari De Rerum Natura Libri Sex, 4th edn rev., 2 vols, London and Cambridge. Odgen, D. (2001), Greek and Roman Necromancy, Princeton, NJ. Rouse, W. H. D. (1924), Lucretius, trans. W. H. D. Rouse (1924); rev. by M. F. Smith (1992), Loeb Classical Library 181, London and Cambridge, MA. Schindler, C. (2000), Untersuchungen zu den Gleichnissen im romischen Lehrgedicht: Lucrez, Vergil, Manilius (Hypomnemata 129), Göttingen. Schmidt, W. and Nix, L. (eds) (1900), Heronis Alexandrini: Opera quae supersunt omnia, Vol. 2: Mechanica et catoptrica, Leipzig. Seaford, R. A. S. (1981), ‘The mysteries of Dionysus at Pompeii’, in H. W. Stubbs (ed.), Pegasus: Classical Essays from the University of Exeter, 52–67. Sharples, R. (2002), ‘Some problems in the theory of vision in De Rerum Natura 4’, Leeds International Classical Studies 1(2). Smith, M. F. (1993), Diogenes of Oinoanda: the Epicurean Inscription, edited with Introduction, Translation, and Notes (La Scuola di Epicuro Collezione di Testi Ercolanesi, Supplemento 1), Naples. Taylor, R. (2008), The Moral Mirror of Roman Art, Cambridge. Tybjerg, K. (2003), ‘Wonder-making and philosophical wonder in Hero of Alexandria’, Studies in History and Philosophy of Science Part A, 34(3): 443–66. Tybjerg, K. (2005), ‘Hero of Alexandria’s mechanical treatises: Between theory and practice’, in A. Schürmann (ed.), Physik/Mechanik, Stuttgart, 204–26. Wendland, P. (1901), Alexandri in Librum De Sensu Commentarium (Commentaria in Aristotelem Graeca 3.1), Berlin.

Chapter 4 Bjørnbo, A. A. and Vogl, S. (1912), Alkindi, Tideus und Pseudo-Euklid, Leipzig and Berlin. Brown, P. (1981), Chaucer’s Visual World: A Study of His Poetry and the Medieval Optical Tradition, York University, Centre for Medieval Studies. Burkert, W. (1977), ‘Air-imprints or Eidola: Democritus’ aetiology of vision’, Illinois Classical Studies 2: 97–109. Burnett, C. (2001), ‘The coherence of the Arabic-Latin translation program in Toledo in the twelfth century’, Science in Context 14(1–2): 249–88. Carruthers, M. J. (2008), The Book of Memory, Cambridge. de Lacy, P. (2005), Galen: On the Doctrines of Hippocrates and Plato, Berlin. Hahm, D. (1978), ‘Early Hellenistic theories of vision and the perception of color’, in P. K. Machamer and R. G. Turnbull (eds), Studies in Perception, Columbus, OH, 60–95. Haskins, C. H. (1928), The Renaissance of the Twelfth Century, Cambridge.

252

Bibliography Heiberg, I. L. (1895), Euclidis Opera omnia. 7, Optica. Opticorum recensio Theonis. Catoptrica. Cum scholiis antiquis, Lipsiae. Jones, A. (1994), ‘Peripatetic and Euclidean theories of the visual ray’, PHYSIS. Rivista Internazionale di Storia della Scienza 31(1): 47–76. Leclerc, L. (1876), Histoire de la médecine arabe, Paris. Lejeune, A. (1989), L’optique de Claude Ptolemee dans la version latine d’apres l’arabe de l’emir Eugene de Sicile, Leiden and New York. Lindberg, D. C. (1975), A Catalogue of Medieval and Renaissance Optical Manuscripts, Toronto. Lindberg, D. C. (1976), Theories of Vision from al-Kindi to Kepler, Chicago, IL. Lindberg, D. C. (1996), Roger Bacon and the Origins of Perspectiva in the Middle Ages, Oxford. Lindsay, W. M. (1913), Sexti Pompei Festi De Verborum Significatu Quae Supersunt cum Pauli Epitome, Lipsiae. Long, A. A. and Sedley, D. N. (1987), The Hellenistic Philosophers, Cambridge. Melchior-Bonnet, S. (2014), The Mirror, Oxford and New York. Meyerhof, M. (1928), The Book of the Ten Treatises on the Eye Ascribed to Hunain Ibn Is-Hâq (809–877 A.D.), Cairo. Netz, R. and Squire, M. (2015), ‘Sight and the perspectives of mathematics: The limits of ancient optics’, in M. Squire (ed.), Sight and the Ancient Senses, London, 68–84. Schöne, R. (1897), Damianos: Schrift über Optik, Berlin. Simon, G. (1988), Le regard l’être et l’apparence dans l’optique de l’antiquité, Paris. Smith, A. M. (2015), From Sight to Light, Chicago, IL. Squire, M. (2015), Sight and the Ancient Senses, London. Steinschneider, M. (1886), ‘Euklid bei den Arabern. Eine bibliographische Studie’, Zeitschrift für Mathematik und Physik 31. Hist.-Lit. Abt., 81–110. Toomer, G. J. (1976), Diocles on Burning Mirrors, Berlin, Heidelberg and New York. van Hoorn, W. (1972), Ancient and Modern Theories of Visual Perception, Amsterdam.

Chapter 5 Baratta, G. (2014), ‘Gli specchietti votivi in piombo dedicati alla κυρίᾳ ἀγορᾶς’, in Á. Martínez Fernández, B. Ortega Villaro, H. Velasco López and H. Zamora Salamanca (eds), Àgalma. Ofrenda desde la Filología Clásica a Manuel García Teijeiro, Valladolid, 709–13. Bettini, M. and Pellizer, E. (2003), Il mito di Narciso. Immagini e racconti dalla Grecia a oggi, Turin. Bonati, I. (2016), Il lessico dei vasi e dei contenitori greci nei papiri. Specimina per un repertorio lessicale degli angionimi greci, Berlin and Boston, MA. Bonner, C. and Darby Nock, A. (1948), ‘Neotera’, The Harvard Theological Review 41(3): 213–15. Bookidis, N. and Stroud, R. S. (1997), The Sanctuary of Demeter and Kore: Topography and Architecture, Princeton, NJ. Budenz, J. (1858), Das Suffix kos (ikos, akos, ykos) im griechischen: ein Beitrag zur Wortbildungslehre, Göttingen. Carpino, A. (2010), ‘Mirrors’, in M. Gagarin and E. Fantham (eds), The Oxford Encyclopedia of Ancient Greece and Rome, Vol. 4, Oxford, 444–46. Chantraine, P. (1933), La formation des noms en grec ancien, Paris. Chantraine, P. (1968), Dictionnaire étymologique de la langue grecque. Histoire des mots, Paris. Concannon, C. W. (2017), Assembling Early Christianity: Trade, Networks, and the Letters of Dionysios of Corinth, Cambridge. Congdon, L. O. K. (1981), Caryatid Mirrors of Ancient Greece: Technical, Stylistic and Historical Considerations of an Archaic and Early Classical Bronze Series, Mainz.

253

Bibliography Congdon, L. O. K. (1985), ‘Greek Mirrors’, Notes in the History of Art 4(2/3): 19–25. Cooney, J. D. (1973), ‘Deluxe toilet objects’, The Bulletin of the Cleveland Museum of Art 60(7): 215–21. Darby Nock, A. (1953), ‘Neotera, Queen or Goddess?’, Aegyptus 33(2): 283–96. Daris, S. (1968), Spoglio lessicale papirologico, I, Milan. de Grummond, N. T. (1981), ‘Reflections on the Etruscan mirror’, Archaeology 34(5): 54–58. de Grummond, N. T. (1985), ‘The Etruscan mirror’, Notes in the History of Art 4(2/3): 26–35. de Grummond, N. T. and Hoff, M. (1982), ‘Mirrors of the Mediterranean: Greek’, in N. T. de Grummond (ed.), A Guide to Etruscan Mirrors, Tallahassee, FL, 32–33. Debrunner, A. (1917), Griechische Wortbildungslehre, Heidelberg. Depauw, M. and Stolk, J. (2015), ‘Linguistic variation in Greek papyri. Towards a new tool for quantitative study’, Greek, Roman and Byzantine Studies 55: 196–220. Derriks, C. (2001), ‘Mirrors’, in D. B. Redford (ed.), The Oxford Encyclopedia of Ancient Egypt, Vol. 2, Oxford, 419–22. Evans, T. V. (2010a), ‘Identifying the language of the individual in the Zenon archive’, in T. V. Evans and D. D. Obbink (eds), The Language of the Papyri, Oxford, 51–70. Evans, T. V. (2010b), ‘Standard Koine Greek in third century bc papyri’, in T. Gagos (ed.), Proceedings of the Twenty-Fifth International Congress of Papyrology (Ann Arbor 2007), Ann Arbor, MI, 197–206. Frisk, H. (1970), Griechisches Etymologisches Wörterbuch. Band II, Heidelberg. Frontisi-Ducroux, F. and Vernant, J. P. (1997), Dans l’œil du miroir, Paris. Gignac, F. T. (1976), A Grammar of the Greek Papyri of the Roman and Byzantine Periods, I (Phonology), Milan. Grabes, H. (1982), The Mutable Glass: Mirror-imagery in Titles and Texts of the Middle Ages and English Renaissance, Cambridge. Grassi, T. (1926), Le liste templari nell’Egitto greco-romano secondo i papiri, Milan. Harrop, J. H. (1962), ‘A Christian letter of commendation’, The Journal of Egyptian Archaeology 48: 132–40. Heath, S. (2006), ‘A box mirror made from two antinous medallions of Smyrna’, American Journal of Numismatics 18: 63–74. Lee, A. D. (2000), Pagans and Christians in Late Antiquity: A Sourcebook, London and New York. Lee, M. M. (2015), Body, Dress, and Identity in Ancient Greece, Cambridge. Lee, M. M. (2017), ‘The gendered economics of Greek bronze mirrors: Reflections on reciprocity and feminine agency’, Arethusa 50(2): 143–68. Leiwo, M. and Halla-Aho, H. (2002), ‘A marriage contract: Aspects of Latin-Greek language contact (P. Mich. VII 434 and P. Ryl. IV 612 = ChLA IV 249)’, Mnemosyne 55(5): 560–80. Litinas, N. (2015), ‘Inscription on a mirror’, Zeitschrift für Papyrologie und Epigraphik 194, 158. McCarty, W. (1989), ‘The shape of the mirror: Metaphorical catoptrics in Classical literature’, Arethusa 22(2): 161–95. McGing, B. C. (1987), ‘A papyrus listing stolen(?) objects, in the Library of Trinity College Dublin’, Hermathena 143: 72–81. Mastrocinque, A. (2012), ‘Neotera and her iconography’, in A. Mastrocinque and C. Giuffrè Scibona (eds), Demeter, Isis, Vesta, and Cybele. Studies in Greek and Roman Religion in Honour of Giulia Sfameni Gasparro, Stuttgart, 105–18. Merker, G. S. (2003), ‘An ivory mirror handle from Corinth’, Eretz-Israel: Archaeological, Historical and Geographical Studies. Hayim and Miriam Tadmor Volume, Jerusalem, 129–35. Milne, J. S. (1907), Surgical Instruments in Greek and Roman Times, Oxford. Mitthof, F. (2005), ‘Bemerkungen zu Papyri XVIII ’, Tyche 20: 259–61. Økland, J. (2004), Women in Their Place: Paul and the Corinthian Discourse of Gender and Sanctuary Space, London and New York. 254

Bibliography Pellizer, E. (1984), ‘L’eco, lo specchio e la reciprocità amorosa. Una lettura del tema di Narciso’, Quaderni Urbinati di Cultura Classica 17(2): 21–35. Pellizer, E. (1991), ‘Narciso e le figure della dualità’, in M. Bettini (ed.), La maschera, il doppio e il ritratto: strategie dell’identità, Roma, 13–29. Preisendanz, K. (1932), ‘Review to S. Eitrem–L. Amundsen (1931), Papyri Osloenses II, Oslo: J. Dybwad’, Philologische Wochenschrift 52: 227–34. Reggiani, N. (2017), Digital Papyrology I: Tools, Methods and Trends, Berlin and Boston, MA. Reggiani, N. (2018a), ‘The Corpus of the Greek Medical Papyri and a New Concept of Digital Critical Edition’, in N. Reggiani (ed.), Digital Papyrology II: Case Studies on the Digital Edition of Ancient Greek Papyri. Berlin and Boston, MA, 3–61. Reggiani, N. (2018b), ‘Linguistic and philological variants in the Papyri: A reconsideration in light of the digitization of the Greek Medical Papyri’, in N. Reggiani (ed.), Greek Medical Papyri: Text, Context, Hypertext. Proceedings of the DIGMEDTEXT Final Conference (Parma, 2–4 November 2016), Berlin and Boston, MA, forthcoming. Reggiani, N. (2019), ‘The digital edition of ancient sources as a further step in the textual transmission’, in A. Novokhatko (ed.), Proceedings of the Workshop ‘Digital Classics III: Re-thinking Text Analysis’ (Heidelberg, 11–13 May 2017), forthcoming. Richter, G. (1938), ‘An archaic Greek mirror’, American Journal of Archaeology 42(3): 337–44. Russo, S. (1999a), I gioielli nei papiri di età greco-romana, Florence. Russo, S. (1999b), ‘SPP XX 46r e gli ἐνέχυρα dei papiri di età greco-romana’, Comunicazioni dell’Istituto Papirologico ‘G. Vitelli’ 3: 87–105. Russo, S. (2005), ‘Gli oggetti metallici nei παράφερνα’, Münstersche Beiträge zur Antiken Handelsgeschichte 24: 213–41. Russo, S. (2006), ‘Note e correzioni a papiri documentari’, Zeitschrift für Papyrologie und Epigraphik 155: 191–9. Schefold, K. (1940), ‘Griechische Spiegel’, Die Antike 16: 11–37. Scherer, J. (1976), ‘Lettre d’Amadokos à Kléon’, in A. E. Hanson (ed.), Collectanea Papyrologica. Texts Published in Honor of H.C. Youtie, I, Bonn, 79–89 (and Plate IV). Schwarzmeier, A. (1993), ‘A Greek box mirror in the Cleveland Museum of Art’, The Bulletin of the Cleveland Museum of Art 80(9): 354–67. Scholl, R. (1990), Corpus der ptolemäischen Sklaventexte, II, Stuttgart. Stolk, J. V. (2018), ‘Encoding linguistic variation in Greek documentary papyri. The past, present and future of editorial regularization’, in N. Reggiani (ed.), Digital Papyrology II: Case Studies on the Digital Edition of Ancient Greek Papyri, Berlin and Boston, MA, 119–37. Tsomis, G. (1999), Zusammenschau der Frühgriechischen Monodischen Melik: Alkaios, Sappho, Anakreon, Stuttgart. Vandorpe, K. (1997), ‘Seals in and on the Papyri of Greco-Roman and Byzantine Egypt’, in M. F. Boussac and A. Invernizzi (eds), Archives et Sceaux du monde hellénistique, Actes du colloque de Turin, Villa Gualino, 13–16 janvier 1993 (Bulletin de Correspondance Hellénique, Suppl. 29), Paris, 231–91. Wunderlich, S. A. (1951), ‘A Greek bronze mirror’, The Bulletin of the Cleveland Museum of Art 38(1): 4–6. Yiftach-Firanko, U. (2003), Marriage and Marital Arrangements. A History of the Greek Marriage Document in Egypt. 4th century bce–4th century ce, Munich.

Chapter 6 Ambrosini, L. (ed.) (2012), CSE Italia 7, I, 1 Roma – Museo Nazionale Romano, Museo delle Antichità Etrusche e Italiche, Sapienza – Università di Roma, Collezione Gorga, Rome.

255

Bibliography Aragosti, A., Cosci, P., Cotrozzi, A. M., Fantuzzi, M., and Lechi, F. (1985), Gaio Plinio Secondo, Storia Naturale, Vol. III, Libri XX–XXVII, Turin. Beck, L. Y. (2005), Pedanius Dioscorides of Anazarbus, De materia medica, Altertumswissenschaftliche Texte und Studien, Vol. 38, Hildesheim, Zurich and New York. Beschi, L. and Musti, D. (1982), Pausania, Guida della Grecia: libro I. L’Attica, Milan. Carpino, A. (2009), ‘Dueling Warriors on two Etruscan bronze mirrors from the fifth century bce’, in S. Bell and H. Nagy (eds), New Perspectives on Etruria and Early Rome in Honor of Richard Daniel De Puma, Madison, WI, 182–97. Càssola, F. (1975), Inni Omerici, Verona. Castagnoli, F. (1959), Dedica arcaica lavinate a Castore e Polluce. Studi e materiali di storia delle religioni 30: 109–117. Castagnoli, F. (1983), ‘L’introduzione del culto dei Dioscuri nel Lazio’. Storia Romana 31: 3–12. Cateni, G. (2002), ‘Nuovi contributi alla cronologia degli specchi con «Lasa» e «Dioscuri»’, in A. Emiliozzi and A. Maggiani (eds), Caelatores, incisori di specchi e ciste tra Lazio ed Etruria, Atti della giornata di studio (Roma 2001), Rome, 41–57. Colonna, G. (1996), ‘Il Dokanon, il culto dei Dioscuri e gli aspetti ellenizzanti della religione dei morti nell’Etruria tardo arcaica’, in L. Bacchielli and M. Bonanno Aravantinos (eds), Scritti di antichità in memoria di Sandro Stucchi, Studi Miscellanei 29: 165–84. Colonna, G. (2005), ‘Il Dokanon, il culto dei Dioscuri e gli aspetti ellenizzanti della religione dei morti nell’Etruria tardo arcaica’, in Italia ante romanum imperium. Scritti di antichità etrusche, italiche e romane (1958–1998), Pisa and Rome, 2085–2111. Cristofani, M. (1985a), ‘Il cosiddetto specchio di Tarchon: un recupero e una nuova lettura’, Prospettiva 41: 4–20. Cristofani, M. (1985b), ‘Faone, la testa di Orfeo e l’immaginario femminile’, Prospettiva 42: 2–12. CSE, Corpus Speculorum Etruscorum. de Grummond, N. T. (1991), ‘Etruscan Twins and Mirror Images: The Dioskouroi at the Door’, Yale University Art Gallery Bulletin 10: 10–31. De Puma, R. D. (1973), ‘The Dioskouroi on Four Etruscan Mirrors in Midwestern Collections’, Studi Etruschi 41: 159–70. De Puma, R. D. (1982), ‘Greek Gods and Heroes on Etruscan Mirrors’, in N. T. de Grummond (ed.), A Guide to Etruscan Mirrors, Tallahassee, FL, 89–100. De Puma, R. D. (2013), ‘Mirrors in art and society’, in J. MacIntosh Turfa (ed.), The Etruscan World, London and New York, 1041–64. Della Fina, G. M. (2002), ‘La «Kranzspiegelgruppe». Criteri per la definizione delle officine»’, in A. Emiliozzi and A. Maggiani (eds), Caelatores. Incisori di specchi e ciste tra Lazio ed Etruria, Atti della giornata di studio (Roma 2001), Rome, 51–58. Edmonds, J. M. (1912), The Greek Bucolic Poets, London and New York. Edmonds, J. M. (1922), Lyra Graeca: Being the Remains of All the Greek Lyric Poets from Eumelus to Timotheus Excepting Pindar, Vol. I, London and New York. Evelyn-White, H. G. (1914), Hesiod, the Homeric hymns, and Homerica, London and New York. Facchetti, G. (2015), Tinas Cliniiaras, Annali del Dipartimento di Studi Letterari, Linguistici e Comparati. Sezione Linguistica, Università degli Studi di Napoli ‘L’Orientale’, 4: 141–182. Fileni, M. G. (2015), ‘Atena e la lampada: un passo “illuminante” dell’Odissea’ (19: 31–43), in M. E. Micheli and A. Santinucci (eds), Lumina, Convegno Internazionale di Studi, Urbino 5–7 giugno 2013, Pisa, 109–25. Gilotta, F. (1992), ‘Una cista, il trionfo o la morte. Su alcuni aspetti di iconografie celebrative etrusco-italiche’. Bollettino d’Arte del Ministero per i beni culturali e ambientali, 74–75, 77–84. Gilotta, F. (2007), in M. P. Baglione and F. Gilotta (eds), CSE, Italia, 6.1: Roma, Museo Nazionale Etrusco di Villa Giulia, Rome, 96–97. Godley A. D. (1920), Herodotus, with an English translation by A. D. Godley. Books I and II, London and New York. 256

Bibliography Guarducci, M. (1984), ‘Le insegne dei Dioscuri’, Archeologia Classica XXXVI, 133–54. Izzet, I. (1998), ‘Holding a mirror to Etruscan gender’, in R. D. Whitehouse (ed.), Gender and Italian Archaeology. Challenging the Stereotypes, Accordia Research Institute and Institute of Archaeology, London, 95–126. Jones, H. L. (1923), The Geography of Strabo, Vol. II, London and Cambridge, MA. Lambrechts, R. (1987), CSE Belgique, 1, Rome, 47–49. Maggiani, A. (2002), ‘Nel mondo degli specchi etruschi’, in A. Emiliozzi and A. Maggiani (eds), Caelatores. Incisori di specchi e ciste tra Lazio ed Etruria, Atti della giornata di studio (Roma 2001), Rome, 7–22. Mangani, E. (1985), ‘Le fabbriche di specchi nell’Etruria settentrionale’, Bollettino d’Arte del Ministero per i beni culturali e ambientali, 21–40. Mangani, E. (2002), ‘Nuovi strumenti critici per la definizione delle officine degli incisori etruschi di specchi’, in A. Emiliozzi and A. Maggiani (eds), Caelatores, incisori di specchi e ciste tra Lazio ed Etruria, Atti della giornata di studio (Roma 2001), Rome, 23–39. Mansuelli, G. A. (1943), ‘Materiali per un supplemento al «corpus» degli specchi etruschi figurati’, Studi Etruschi XVII, 487–521. Mansuelli, G. A. (1946–47), ‘Gli specchi figurati etruschi’, Studi Etruschi XIX, 9–137. Massa-Pairault, H. F. (1985), Recherches sur l’art et l’artisanat étrusco-italiques à l’époque hellénistique, Rome. Mavleev, J. (1990), ‘Der Meister des Parisurteils I in der Ermitage’, in H. Heres and M. Kunze (eds), Die Welt der Etrusker: archaologische Denkmaler aus Museen der sozialistischen Lander: Staatliche Museen zu Berlin, Haupstadt der DDR Altes Museum, vom 4. Oktober bis 30. Dezember 1988, Berlin, 175–77. Moscati, P. (1986), Analisi statistiche multivariate sugli specchi etruschi, Rome. Moullou, D. (2011), ‘Lighting the fire and illumination in Antiquity’, in I. Motsianos and E. Bintsi (eds), Lighting the Fire and Illumination in Antiquity, Catalogue of the exhibition, Thessaloniki, Folklife and Ethnological Museum of Macedonia-Thrace, 31 October 2011–11 June 2012, Thessaloniki, 45–57. Naso, A. (2003), I Bronzi Etruschi e Italici del Römisch-Germanisches Zentralmuseum, Mainz. Platt, V. J. (2018), ‘Double vision: Epiphanies of the Dioscuri in Classical antiquity’, Archiv für Religionsgeschichte 20(1): 229–56. Rallo, A. (1974), Lasa, Iconografia e esegesi, Florence. Rebuffat Emmanuel, D. (1984), ‘Typologie général du miroir étrusque à manche massif ’, Revue Archéologique 2: 195–226. Romeo, A. (1937), ‘La pianta da lumini’, Annali della Facoltà di Agraria della Regia Università di Napoli, XV, 155–59. Salskov Roberts, H. (1983), ‘Later Etruscan mirrors. Evidence for dating from recent excavations’, Analecta Romana Instituti Danici XII, 31–54. Sassatelli, G. (1993), ‘Rappresentazioni di giochi atletici in monumenti funerari di area padana’, in Spectacles sportifs et scéniques dans le monde étrusco-italique (Actes de la table ronde de Rome, 3–4 mai 1991). Collection de l’École française de Rome 172, 45–67. Szilágyi, J. G. (1994), ‘Discorso sul metodo. Contributo al problema della classificazione degli specchi tardo-etruschi’, in M. Martelli (ed.), Tyrrhenoi Philotechnoi (Atti della giornata di studio, Viterbo 1990), Rome, 161–72. Torelli, M. (1997), Il rango, il rito e l’immagine: alle origini della rappresentazione storica romana, Milan. Valastro Canale, A. (2004), Isidoro di Siviglia, Etimologie o Origini, Turin. Van der Meer F. (2001), ‘Decorated Etruscan Stone Sarcophagi. A Chronological and Bibliographical Appendix to R. Herbig’, Babesch Bulletin Antieke Beschaving 76, 79–100. Wiman, I. M. B. (1990), Malstria-Malena. Metals and motifs in Etruscan Mirror Craft, Gothenburg. 257

Bibliography

Chapter 7 Adlin, J. (2013), ‘Vanities: Art of the dressing table’, The Metropolitan Museum of Art Bulletin: n.s., 71, no. 2. Boucher, F. (2009), Historia del trajeenoccidente. Desdelosorígenes hasta la actualidad, Barcelona. Bumke, J. (1991), Courtly Culture: Literature and Society in the High Middle Ages, Oakland, CA. Burns, E. J. (2002), Courtly Love Undressed. Reading through Clothes in Medieval French Culture, Pittsburg, PA. Camille, M. (1998), The Medieval Art of Love: Objects and Subjects of Desire, New York. Capellanus, A., De Amore, liber secundus, in http://www.thelatinlibrary.com/capellanus/ capellanus2.html De Lorris, G. and De Meun, J. (1999), The Romance of the Rose, ed. and trans. F. Horgan, Oxford. Frelick, N. (2016), The Mirror in Medieval and Early Modern Culture: Specular Reflections, Turnhout. Frugoni, C. (2010), Medioevosulnaso. Occhiali, bottoni e altreinvenzionimedieval, Rome. Goethe, J. W. V. (1990), The Sorrows of the Young Werther, New York. Greenblatt, S. (2012), Renaissance Self-Fashioning: From More to Shakespeare, Chicago, IL. Grethlein, J. (2016), ‘Sight and reflexivity: Theorizing vision in Greek vase-painting’, in M. Squire (ed.), Sight and the Ancient Senses, Oxford, 85–106. Günther, J. (2019) ‘Bening at his best: Miniatures of jewel-like execution’, in https://guentherrarebooks.com/artworks/categories/1/9444/ Lee, M. M. (2015), Body, Dress, and Identity in Ancient Greece, Cambridge. Le Goff, J. (1988), ‘Vestimentary and alimentary codes in Erec et Enide’, The Medieval Imagination, Chicago, IL, 132–50. L’ Estrange, E. (2008), ‘Gazing at Gawain: Reconsidering tournaments, courtly love, and the lady who looks’, Medieval Feminist Forum 44(2): 74–96. Melchior-Bonnet, S (2011), The Mirror: A History, London. Mills, N. (1999), Medieval Artefacts, Essex. Neufeld, C. (2013), ‘Always accessorize: In defense of scholarly Cointise’, in E. A. Joy and A. Klosowska (eds), On style: An Atelier, New York, 87–110. Paris, G. (1883), ‘Etudes sur les romans de la Table Ronde: Lancelot du Lac, II: Le conte de la charrette’, Romania 12: 459–534. Pendergrast, M. (2003), Mirror, Mirror: A History of The Human Love Affair with Reflection, New York. Rebold, J (2009), Materials, Methods, and Masterpieces of Medieval Art, Santa Barbara, CA. Rimell, V. (2006), ‘Specular Logics: Medicamina’. Ovid’s Lovers: Desire, Difference, and the Poetic Imagination, Cambridge, 41–69. Root, J. (2011), ‘Marvelous crystals, perilous mirrors: Le Roman De la Rose and the discontinuity of the Romance subject’, The Romanic Review, 102(1–2): 65–89. Sand, A. (2011), ‘The fairest of them all: Reflections on some fourteenth-century mirrors’, in S. Blick and L. D. Gelfand (eds), Push Me, Pull You. Imaginative and Emotional Interaction in Late medieval and Renaissance Art, Vol 1, Leiden, 529–59. Silver, C. (2017) ‘19th-Century “Lover’s Eye” jewelry was the perfect accessory for secret affairs’, Atlas Obscura, 15 September, in https://www.atlasobscura.com/articles/lovers-eyejewelry Smith, S. L. (2017), ‘The Gothic mirror and the female gaze’, in J. L. Carroll, A. G. Stewart (eds), Saints, Sisters, and Sinners. Gender and Northern Art in Medieval and Early Modern Europe, London, 73–93. Stewart, S. (2017), Painted Faces: A Colourful History of Cosmetics, Stroud, Glos.

258

Bibliography

Chapter 8 Bettini, M. and Pellizer, E. (2003), Il mito di Narciso: immagini e racconti dalla Grecia ad oggi, Turin. Bonnefoy, Y. (1991), Mythologies, Chicago, IL. Bredbeck, G. (1994), ‘Narcissus in the Wilde: Textual cathexis and the historical origins of queer camp’, in M. Meyer (ed.), The Politics and Poetics of Camp, London, 51–74. Bruhm, S. (2001), Reflecting Narcissus: A Queer Aesthetic, Mineapolis, MN. Bruhm, S. (1995), ‘Taking one to know one: Oscar Wilde and narcissism’, English Studies in Canada, 21: 170–88. Butler, S. (2013), ‘Beyond Narcissus’, in B. Shane and A. Purves (eds), Synaesthesia and the Ancient Senses, Oxford and New York, 185–200. Carman, H. C. (2014), Leon Battista Alberti and Nicholas Cusanus: Towards an Epistemology of Vision for Italian Renaissance Art and Culture, London. Cohen, Ed. (1987), ‘Writing gone Wilde: Homoerotic desire in the closet of representation’, PMLA 102(5): 801–13. Constantine, P., Hadas, R. et al. (2010), The Greek Poets: Homer to the Present, New York. Dickson, R. D. (1983), ‘ “In a mirror that mirrors the soul”: Masks and mirrors in Dorian Gray’, English Literature in Transition 26(1): 5–15. Dollimore, J. (1987), ‘Different desires: Subjectivity and transgression in Wilde and Gide’, in R. Gagnier (ed.), Critical Essays on Oscar Wilde, New York, 48–67. Dundas, J. (1993), Pencils Rhetorique: Renaissance Poets and the Art of Painting, Newark, DE. Ellis, H. (1927), ‘The conception of narcissism’, Psychoanalytic Review 14: 129–53. Fong, B. and Beckson, K. (eds) (2000), The Complete Works of Oscar Wilde. Volume 1: Poems and Poems in Prose, Oxford. Frankel, N. (ed.) (2011), Oscar Wilde. The Uncensored Picture of Dorian Gray, Harvard, MA. Freud, S. (1957), ‘On narcissism: An introduction’, in J. Strachey (ed.), The Standard Edition of the Complete Psychological Works. Vol 14, London, 67–102. Hart-Davis, R. (ed.) (1962), The Letters of Oscar Wilde, London. Janes, D. (2014), ‘Oscar Wilde, sodomy, and mental illness in late Victorian England’, Journal of the History of Sexuality 23(1): 79–95. Kenney, J. E. (ed.) (2009), Ovid. Metamorphoses, trans. A. D. Melville, Oxford. Kosofsky-Sedgewick, E. (1985), Between Men: English Literature and Male Homosocial Desire (Gender and Culture), New York. Kosofsky-Sedgewick, E. (1990), Epistemology of the Closet, Berkeley, CA. Lacan, J. (1977), ‘The mirror stage as formative of the function of the I’, in A. Sheridan (ed. and trans.), Écrits: A Selection, New York, 1–7. Lawrence, A. (1991), Echo and Narcissus. Women’s Voices in Classical Hollywood Cinema, Berkeley, CA. McCormack, J. (1997), ‘Wilde’s fiction(s)’, in P. Raby (ed.), The Cambridge Companion to Oscar Wilde, Cambridge, 96–117. McMahon, A. P. (trans.) (1956), Leonardo Da Vinci’s Treatise on Painting, Princeton, NJ. Manny, I. (2017), ‘Oscar as (Ovid as) Orpheus: Misogyny and pederasty in Dorian Gray and the Metamorphoses’, in K. Riley, A. J. L. Blanshard and I. Manny (eds), Oscar Wilde and Classical Antiquity, Oxford, 267–86. Marcovitch, H. (2010), The Art of the Pose: Oscar Wilde’s Performance Theory, Oxford. Mighall, R. (ed.) (2000), Oscar Wilde. The Picture of Dorian Gray, Dunfermline. Novak, A. D. (2008), Realism, Photography and Nineteenth-Century Fiction, Cambridge.

259

Bibliography Nunokawa, J. (1995), ‘The disappearance of the homosexual in The Picture of Dorian Gray’, in G. E. Haggerty and B. Zimmerman (eds), Professions of Desire: Lesbian and Gay Studies in Literature, New York, 183–90. Nunokawa, J. (1992), ‘Homosexual desire and the effacement of the self in The Picture of Dorian Gray’, American Imago AIDS AND HOMOPHOBIA 49(3): 311–21. Pulver, E. S. (1970), ‘Narcissism. The term and the concept’, Journal of the American Psychoanalytic Association 18(2): 319–41. Riquelme, J. P. (2000), ‘Oscar Wilde’s aesthetic Gothic: Walter Pater, dark enlightenment, and The Picture of Dorian Gray’, Modern Fiction Studies 46(3): 609–31. Rosner, V. (2005), Modernism and the Architecture of Private Life, New York. Sinisgalli, R. (2006), Il nuovo De Pictura di Leon Battista Alberti, Italy. Spencer, R. J. (ed.) (1966), Leon Battista Alberti on Painting, New Haven, CT. Van Alphen, E. (2005), Art in Mind. How Contemporary Images Shape Thought, Chicago, IL and London. Vinge, L. (1967), The Narcissus Theme in Western European Literature up to the Early 19th Century, Lund. Walker, J. R. (2007), Labyrinths of Deceit: Culture, Modernity and Identity in the Nineteenth Century, Liverpool. Wilde, O. (2010), The Decay of Lying and Other Essays, London.

Chapter 9 Addey, C. J. (2007), ‘Mirrors and divination: Catoptromancy, Oracles and Earth goddesses in antiquity’, in M. Anderson (ed.), The Book of the Mirror: An Interdisciplinary Collection Exploring the Cultural Story of the Mirror, Newcastle, 32–46. Babb, L. A. (1981), ‘Glancing: Visual interaction in Hinduism’, Journal of Anthropological Research 37: 387–401. Balensiefen, L. (1990), Die Bedeutung des Spiegelbildes als ikonographisches Motiv in der antiken Kunst, Tübingen. Bartsch, S. (2006), The Mirror of the Self: Sexuality, Self-Knowledge, and the Gaze in the Early Roman Empire, Chicago, IL and London. Bijker, W. E., Hughes, T. P. and Pinch, T. J. (eds) (1987), The Social Construction of Technological Systems: New Directions in the Sociology and History of Technology, Cambridge, MA and London. Bowden, H. (2005), Classical Athens and the Delphic Oracle, Divination and Democracy, Cambridge. Bowden, H. (2010), Mystery Cults in the Ancient World, London. Bur, T. C. D. (2016), ‘Mechanical miracles: Automata in Ancient Greek religion’, MPhil diss., University of Sydney, Sydney. Burghardt, W. J. (1961), ‘The image of God in man: Alexandrian orientations’, The Catholic Theological Society of America 16: 147–60. Cain, R. B. (2012), ‘Plato on mimesis and mirrors’, Philosophy and Literature 36: 187–95. Capra, A. (2017), ‘Seeing through Plato’s looking glass. Mythos and mimesis from republic to poetics’, Aisthesis 10: 75–86. Clark, S. (2016), Plotinus: Myth, Metaphor, and Philosophical Practice, Chicago, IL and London. Cort, J. E. (2001), Jains in the World: Religious Values and Ideology in India, Oxford. Delatte, A. (1932), La Catoptromancie Grecque et ses Dérivés, Liège and Paris. Derrida, J. (1996), ‘Foi et Savoir: Les deux Sources de la Religion aux Limites de la Simple Raison’, in J. Derrida and G. Vattimo (eds), La Religion, Paris, 9–86.

260

Bibliography Eck, C. A. van (2015), Art, Agency and Living Presence: From the Animated Image to the Excessive Object, Munich and Leiden. Eck C. A. van, Gastel, J. J. van and Kessel, E. J. M. van (eds) (2014), The Secret Lives of Art Works. Negotiating the Boundaries between Art and Life, Leiden. Eck, D. L. (1985), Darśan Seeing the Divine Image in India, 2nd edn, Chambersburg. Eisenlohr, P. (2012), ‘Media and religious diversity’, Annual Review of Anthropology 41: 37–55. Elsner, J. (2007), Roman Eyes: Visuality and Subjectivity in Art and Text, Princeton, NJ. Engelke, M. (2007), A Problem of Presence: Beyond Scripture in an African Church, Berkeley, CA. Engelke, M. (2010), ‘Religion and the media turn: A review essay’, American Ethnologist 37: 371–79. Foster, H. (1988), ‘Preface’, in H. Foster (ed.), Vision and Visuality, Seattle. Frontisi-Ducroux, F. and Vernant, J-P. (1997), Dans L’œil du Miroir, Paris. Gazda, E. K. (2000), The Villa of the Mysteries in Pompeii: Ancient Ritual, Modern Muse, Ann Arbor, MI. Gell, A. (1992), ‘The technology of enchantment and the enchantment of technology’, in J. Coote and A. Shelton (eds), Anthropology, Art and Aesthetics, Oxford, 40–66. Gell, A. (1998), Art and Agency: An Anthropological Theory, Oxford. Grethlein, J. (2016), ‘Sight and reflexivity: Theorising vision in Greek vase-painting’, in M. Squire (ed.), Sight and the Ancient Senses, London and New York, 85–106. Grummond, N. T. de (2002), ‘Mirrors, marriage, and mysteries’, Journal of Roman Archaeology Supplementary Series 47: 62–85. Hales, S. (2008), ‘Aphrodite and Dionysus: Greek role models for Roman homes?’, in S. Bell and I. L. Hansen (eds), Role Models in the Roman World: Identity and Assimilation. Ann Arbor, MI, 235–56. Halliwell, S. (2002), The Aesthetics of Mimesis: Ancient Texts and Modern Problems, Princeton, NJ. Heath, J. M. F. (2013), Paul’s Visual Piety: The Metamorphosis of the Beholder, Oxford. Heath, J. M. F. (2016), ‘Sight and Christianity: Early Christian attitudes to seeing’, in M. Squire (ed.), Sight and the Ancient Senses, London and New York, 220–36. Houston, S. and Taube, K. (2000), ‘An archaeology of the senses: Perception and cultural expression in ancient Mesoamerica’, Cambridge Archaeological Journal 10: 261–94. Johnston, S. I. (2001), ‘Charming children: The use of the child in ancient divination’, Arethusa 34: 97–117. Jones, A. (1987), ‘On some borrowed and misunderstood problems in Greek catoptrics’, Centaurus 30: 1–17. Jones, A. (2001), ‘Pseudo-Ptolemy De Speculis’, SCIAMVS 2: 145–86. Keane, W. (1997), ‘Religious language’, Annual Review of Anthropology 26: 47–71. Kindt, J. (2006), ‘Delphic oracle stories and the beginning of historiography: Herodotus’ Croesus Logos’, Classical Philology 101: 34–51. McCarty, W. (1989), ‘The shape of the mirror: Metaphorical catoptrics in Classical literature’, Arethusa 22: 161–95. Magaloni Kerpel, D. (2015), ‘Real and illusory feathers: Pigments, painting techniques, and the use of color in ancient Mesoamerica’, in A. Russo, G. Wolf and D. Fane (eds), Images Take Flight: Feather Art in Mexico and Europe, Chicago, IL, 364–78. Masià, R. (2015), ‘On dating Hero of Alexandria’, Archive for History of Exact Sciences 69: 231–55. Meyer, B. (2006), ‘Religious revelation, secrecy and the limits of visual representation’, Anthropological Theory 6: 431–53. Meyer, B. and Verrips, J. (2008), ‘Aesthetics’, in D. Morgan (ed.), Key Words in Religion, Media and Culture, New York and London, 20–30. Morgan, D. (2008), Key Words in Religion, Media and Culture, New York and London. Mudie Cooke, P. B. S. (1913), ‘The paintings of the Villa Item at Pompeii’, JRS 3: 157–74. 261

Bibliography Nasrallah, L. S. (2010), Christian Responses to Roman Art and Architecture: The Second-Century Church amid the Spaces of Empire, Cambridge. Netz, R. and Squire, M. (2016), ‘Sight and the perspectives of mathematics: The limits of ancient optics’, in M. Squire (ed.), Sight and the Ancient Senses, London and New York, 68–84. Neugebauer, O. (1938), ‘Über eine Methode zur Distanzbestimmung Alexandria-Rom bei Heron’, Det Kgl. Danske Videnskabernes Selskab. Historisk-filologiske Meddelelser 26: 3–26. Nilsson, M. (1957), The Dionysiac Mysteries of the Hellenistic and Roman Age, Lund. Platt, V. (2011), Facing the Gods: Epiphany and Representation in Graeco-Roman Art, Literature and Religion, Cambridge. Platt, V. (2015), ‘Sight and the Gods: On the desire to see naked nymphs’ in M. Squire (ed.), Sight and the Ancient Senses, London and New York, 169–87. Platt, V. and Squire, M. (2018), ‘Getting to grips with Classical art: Rethinking the haptics of Graceo-Roman visual culture’, in A. Purves (ed.), Touch and the Ancient Senses, London and New York, 75–104. Robbins, J. (2017), ‘Keeping God’s distance: Sacrifice, possession, and the problem of religious mediation’, American Ethnologist 44: 464–75. Russo, A., Wolf, G. and Fane, D. (eds) (2015), Images Take Flight: Feather Art in Mexico and Europe, Chicago, IL. Saunders, N. (1998), ‘Stealers of light, traders in brilliance: Amerindian metaphysics in the mirror of conquest’, RES Anthropology and Aesthetics 33: 225–52. Saunders, N. (2001), ‘A dark light: Reflections on obsidian in Mesoamerica’, World Archaeology 33: 220–36. Saunders, N. (2003), ‘Catching the light: Technologies of power and enchantment in preColumbian gold working’, in J. Quilter and J. W. Hoopes (eds), Gold and Power in Ancient Costa Rica, Panama, and Colombia, Washington, DC, 15–47. Schmidt, W. (1976), Herons Von Alexandria: Vol II Mechanica et Catoptrica, Leipzig. Seaford, R. (1987), ‘Pentheus’ vision: Bacchae 918–22’, The Classical Quarterly 37: 76–78. Seaford, R. (1998), ‘In the mirror of Dionysus’, in S. Blundell and M. Williamson (eds), The Sacred and the Feminine in Ancient Greece, New York and London, 128–46. Shaw, G. (1995), Theurgy and the Soul: The Neoplatonism of Iamblichus, Pittsburg, PA. Sidoli, N. (2005), ‘Heron’s Dioptra 35 and analemma methods: an astronomical determination of the distance between two cities’, Centaurus 47: 236–58. Sidoli, N. (2011), ‘Heron of Alexandria’s date’, Centaurus 53: 55–61. Sinisgalli, R. (2012), Perspective in the Visual Culture of Classical Antiquity, Cambridge and New York. Smith, A. M. (1996), ‘Ptolemy’s theory of visual perception: An English translation of the optics with introduction and commentary’, Transactions of the American Philosophical Society 86: vii–300. Smith, A. M. (2015), From Sight to Light: The Passage from Ancient to Modern Optics, Chicago, IL. Souffrin, P. (2000), ‘Remarques sur la Datation de la Dioptre d’Héron par l’Éclipse de Lune de 62’, in G. Argoud, and J-Y. Guillaumin (eds), Autour de La Dioptre d’Héron d’Alexandrie, SaintÉtienne, 13–17. Stang, C. (2016), Our Divine Double, Cambridge MA and London. Stolow, J. (2005), ‘Religion and/as media’, Theory, Culture & Society 22: 119–45. Taylor, R. (2008), The Moral Mirror of Roman Art, Cambridge. Too, Y. (1996), ‘Statues, mirrors, gods: Controlling images in Apuleius’, in J. Elsner (ed.), Art and Text in Roman Culture, Cambridge, 133–52. Tybjerg, K. (2003), ‘Wonder-making and philosophical wonder in Hero of Alexandria’, Studies in History and Philosophy of Science 34: 443–66. 262

Bibliography Vries, H. de (2001), ‘In Media Res: Global religion, public spheres, and the task of contemporary comparative religious studies’, in H. De Vries and S. Weber (eds), Religion and Media, Stanford, CA, 3–42.

Chapter 10 Annas, J. (ed.) (2001), Cicero, On Moral Ends, trans. R. Woolf, Cambridge and New York. Asmis, E. (1999), ‘Epicurean EPISTEMOLOGY’, in K. Algra et al. (eds), The Cambridge History of Hellenistic Philosophy, Cambridge, 260–94. Bartsch, S. (2006), The Mirror of the Self: Sexuality, Self-knowledge, and the Gaze in the Early Roman Empire, Chicago, IL. Bailey, C. (1950), Titi Lucreti Cari De rerum natura libri sex, Oxford. Chantraine, P. (1999), Dictionnaire étymologique de la langue grecque: Histoire des mots, Paris. Cherniss, H. and Helmbold, W. C. (1957), Plutarch. Moralia, Vol. 12, London and New York. Eco, U. (1986), ‘Mirrors’, in Semiotics and the Philosophy of Language, Bloomington, IN, 202–26. Ernout, A. and Meillet, A. (19804), Dictionnaire étymologique de la langue latine. Histoire des mots, Paris. Frontisi-Ducroux, F. and Vernant, J.-P. (1997), Dans l’œil du miroir, Paris. Gigon, O. and Straume-Zimmermann, L. (1988), Marcus Tullius Cicero, Über die Ziele des menschlichen Handelns = De finibus bonorum et malorum, Munich. Heinze, R. (1897), De rerum natura Buch III, Leipzig. Kenney, E. J. (1971), Lucretius, De rerum natura, Book III, Cambridge. Kennedy, D. F. (2002), Rethinking Reality: Lucretius and the Textualization of Nature, Ann Arbor, MI. Lloyd, G. E. R. (1966), Polarity and Analogy. Two Types of Argumentation in Early Greek Thought, Cambridge. McCarty, W. (1989), ‘The shape of the mirror: Metaphorical catoptrics in Classical literature’ Arethusa 22(2): 161–95. Marković, D. (2008), The Rhetoric of Explanation in Lucretius’ De Rerum Natura, Leiden. Moreschini, C. (2005), M. Tullius Cicero, De finibus bonorum et malorum, Munich. Pellicer, A. (1966), Natura, étude sémantique et historique du mot latin, Publications de la Faculté des lettres et sciences humaines de l’Université de Montpellier 27, Paris. Reinhardt, T. (2002), ‘The speech of nature in Lucretius’ De Rerum Natura 3.931–71’, CQ 52(1): 291–304. Schiesaro, A. (1990), Simulacrum et imago: Gli argomenti analogici nel De rerum natura, Pisa. Sedley, D. N. and Long, A. A. (1987), The Hellenistic Philosophers, I: Translations of the Principal Sources with Philosophical Commentary, Cambridge. Smith, M. F. and Rouse, W. H. D. (1992), Lucretius, De rerum natura, Cambridge, MA. Stang, C. M. (2016), Our Divine Double, Cambridge, MA. Taylor, R. (2008), The Moral Mirror of Roman Art, Cambridge and New York. Wallach, B. P. (1976), Lucretius and the Diatribe against the Fear of Death, De rerum natura III 830–1094, Leiden.

Chapter 11 Afentoulidou, Ei. (2019), ‘Philippos Monotropos in Byzantium and in the Slavonic world’, in W. Hörandner, A. Rhoby and N. Zagklas (eds), A Companion to Byzantine Poetry, Leiden. 263

Bibliography Afentoulidou-Leitgeb, Ei. (2012), Philippos Monotropos’ Dioptra and its Social Milieu: Niketas Stethatos, Nikolaos III Grammatikos and the Persecution of Bogomilism, Parekbolai 2, 85–107. Allies, M. H. (1898), St. John Damascene: On Holy Images, Followed by Three Sermons on the Assumption, London. Anderson, M. (ed.) (2007), The Book of the Mirror: An Interdisciplinary Collection Exploring the Cultural Story of the Mirror, Cambridge. Auvray, E. (ed.) (1875), Les pleurs dе Philippe, Paris. Avenarius, A. (1998), Byzantský ikonoklazmus: storočie zápasu o ikonu. Bratislava, English translation of A. Avenarius (2005), The Byzantine Struggle over the Icon: On the Problem of Eastern European Symbolism, Bratislava. Benakis, L. (1982), ‘The problem of general concepts in Neoplatonism and Byzantine thought’, in D. J. O’Meara (ed.), Neoplatonism and Christian thought, Norfolk, VA, 75–86. Bonnet, M. (ed.) (1898), ‘Acta Ioannis’, in M. Bonnet (ed.), Acta apostolorum apocrypha, Vol. 2.1, Leipzig (repr. Darmstadt, 1959), 151–216. Bonnet, M. (ed.) (1903), ‘Acta Thomae’, in Acta apostolorum apocrypha, Vol. 2.2, Leipzig (repr. Hildesheim, 1972), 99–288. Bradley, R. (1954), ‘Backgrounds of the title speculum in mediaeval literature’, Speculum 29(1): 100–15. Cain, E. R. (2016), Through a Mirror Darkly: Mystical Metaphors of Sight from Paul to Gregory of Nyssa and Augustine of Hippo. Dissertation, New York. Cameron, Av. (1970), Agathias, Oxford. Caramico, A. (ed.) (2006), Manuele File, Le proprietà degli animali II, Naples. Cattoi, Th. (2015), Theodore the Studite: Writings on Iconoclasm, New York. Chronz, M. (ed.) (2009), Νεκταρίου, ἡγουμένου μονῆς Κασούλων (Νικολάου Ὑδρουντινοῦ), Διάλεξις κατὰ Ἰουδαίων, Athens. Coulton, J. J. (2002), ‘The dioptra of Hero of Alexandria’, in C. J. Tuplin and T. E. Rihll (eds), Science and Mathematics in Ancient Greek Culture, Oxford, 150–64. Courtonne, Y. (ed.) (1961), Saint Basile. Lettres, Vol. 2, Paris. D’ Aiuto, F. (ed.) (1994), Tre canoni di Giovanni Mauropode in onore di santi militari, Rome. Dain, A. (1933), La tradition du texte d’Héron de Byzance, Paris. De Stefani, A. (ed.) (1920), Etymologicum gudianum, Leipzig (repr. Amsterdam, 1965). Fatouros, G. (ed.) (1992), Theodori Studitae epistulae, Vol. 1 Prolegomena et textum epp. 1–70 continens, Berlin. Festa, N. (ed.) (1898), Theodori Ducae Lascaris epistulae CCXVII, Florence. Gaselee, S. (ed.) (1917), Achilles Tatius, with an English Translation, London and New York. Gautier, P. (ed.) (1972), ‘Michel Italikos. Lettres et Discours’, Archives de l’Orient Chrétien 14. Giannouli, A. (2013), ‘Catanyctic religious poetry’, in A. Rigo (ed.), Theologica Minora. The Minor Genres of Byzantine Theological Literature, Turnhout, 86–109. Giagkou, Th. and Papatriantafyllou-Theodoridi, N. (eds) (1999), Πανηγυρική Αʹ. Ἁγίου Νεοφύτου τοῦ Ἐγκλείστου Συγγράμματα, Vol. 3, Paphos. Grabes, H. (1973), Speculum, mirror und looking-glass: Kontinuität und Originalität der Spiegelmetapher in den Buchtiteln des Mittelalters und der englischen Literatur des 13. bis 17, Tübingen. Gutzwiller, K. L. (1998), Poetic Garlands. Hellenistic Epigrams in Context. Berkeley, CA. Hugede, N. (1957), La Metaphore du miroir dans les Épitres de saint Paul aux Corinthiens, Neuchâtel. James, M. R. (trans.) (1924), The Apocryphal New Testament, Oxford. Jeffreys, E. (ed. and trans.) (1998), Digenis Akritis: the Grottaferrata and Escorial versions, Cambridge and New York. Kambylis, A. (ed.) (1976), Symeon Neos Theologos, Berlin. 264

Bibliography Karlsson, G. (1962), Idéologie et cérémonial dans l’épistolographie byzantine. Textes du Xe siècle analysés et commentés, Uppsala. Koder, J. (ed.) (1969, 1971, 1973), Syméon le Nouveau Théologien, Hymnes. Introduction, texte critique et notes, Vols I–III, Paris. Kolovou, F. (ed.) (1995), Euthymios Tornikes als Briefschreiber. Vier unedierte Briefe des Euthymios Tornikes an Michael Choniates im Codex Buc. gr. 508. Jahrbuch der Österreichischen Byzantinistik 45: 53–74. Kotter, P. B. (ed.) (1975), Die Schriften des Johannes von Damaskos, Vol. 3, Berlin. Kuehn, C. and Baggarly, J. (eds and trans.) (2007), Anastasius of Sinai, Hexaemeron, Rome. Lampros, S. P. (ed.) (1880), Μιχαὴλ Ἀκομινάτου τοῦ Χωνιάτου τὰ σωζόμενα, Vol. 2, Athens. Latte, K. (ed.) (1966), Hesychii Alexandrini lexicon, epsilon – omikron, Copenhagen. Lewis, M. J. T. (2001), Surveying Instruments of Greece and Rome, Cambridge. Miklas, H. and Fuchsbauer, J. (eds) (2013), Die kirchenslavische Übersetzung der Dioptra des Philippos Monotropos, Vol. 1, ‘Überlieferung. Text der Programmata und des ersten Buches’, Vienna. Miller, E. (ed.) (1855–1857), Manuelis Philae carmina, Paris (repr. Amsterdam). Müller, F. (ed.) (1958), Gregorii Nysseni Opera, Vol. III, 1, Leiden. Nix, L. and Schmidt, W. (eds), (1900), Heronis Alexandrini opera quae supersunt omnia, Vol. 2.1, Leipzig. Papadopoulos, I. V. (ed.) (1927), Γρηγορίου Χιονιάδου τοῦ ἀστρονόμου ἐπιστολαί. Ἐπιστημονικὴ Ἐπετηρὶς Φιλοσοφικῆς Σχολῆς 1, 151–206. Papadopoulos-Kerameus, A. (ed.) (1904), Θεόδωρος Στουδίτης, Μεγάλη κατήχησις, St. Petersburg. Papaioannou, S. (2010), ‘Byzantine mirrors: Self-reflection in Medieval Greek writing’, Dumbarton Oaks Papers 64: 81–101. Patrologia Graeca: Migne, J.-P. (1857–1866) Patrologiae cursus completus, Series graeca, Vols 1–161, Paris. Pignani, A. (ed.) (2007), Teodoro Studita Catechesi-epitafio per la madre, Naples. Prochorov, G. M., Bil’djug, A. B., Miklas, H. and Fuchsbauer, J. (eds) (2008), Dioptra Filippa Monotropa. Antropologičeskaja enciklopedija pravoslavnogo srednevekov’ja, Moscow. Reuss, J. (ed.) (1966), Johannes-Kommentare aus der griechischen Kirche, Berlin. Sbordone, F. (ed.) (1936), Physiologus, Milan (repr. Hildesheim et al., 1991). Schirò, G. (ed.) (1976), Analecta hymnica Graeca e codicibus eruta Italiae Inferioris. Vol. 4, Rome. Schöne, H. (ed.) (1903), Heronis Alexandrini opera quae supersunt omnia, Vol. 3, Leipzig. Seaford, R. (1984), ‘1 Corinthians XIII:12’, The Journal of Theological Studies N.S. 35: 117–20. Sinkewicz, R. E. (ed. and trans.) (1988), Saint Gregory Palamas: The One Hundred and Fifty Chapters, Toronto. Spanos, A. (ed.) (2010), Codex Lesbiacus Leimonos 11: Annotated Critical Edition of an Unpublished Byzantine Menaion for June, Berlin and New York. Spyridon Lavriotes (ed.) (1920), Ἡ Διόπτρα, Athens. Stählin, O. and Früchtel, L. (eds) (1960), Clemens Alexandrinus II. Stromata I–VI, Berlin. Stählin, O., Früchtel, L. and Treu, U. (eds) (1970), Clemens Alexandrinus III. Stromata VII–VIII, Berlin. Sullivan, D., Talbot, A.-M. and McGrath, St. (eds) (2014), The Life of Saint Basil the Younger. Critical Edition and Annotated Translation of the Moscow Version, Washington, DC. Talbot, A.-M. (1994), ‘Epigrams of Manuel Philes on the Theotokos tes Peges and its art’, Dumbarton Oaks Papers 48: 135–65. Tittmann, I. A. H. (ed.) (1808), Iohannis Zonarae Lexicon, Leipzig (repr. Amsterdam, 1967). Vilborg, E. (ed.) (1955), Achilles Tatius. Leucippe and Clitophon, Stockholm. Vogt, A. (ed.) (1935), Constantin VII Porphyrogénète. Le livre des cérémonies. Vol. 1, Paris. Way, Sr. A. C. (trans.) (1951), Saint Basil, Letters, Washington, DC. 265

Bibliography

Chapter 12 Agamben, G. (1981), Stanze. Parole et fantasme dans la culture occidentale, trans. Y. Hersant, Paris. Akbari, S. C. (2004), Seeing through the Veil: Optical Theory and Medieval Allegory, Toronto. Anderson, M. (ed.) (2007), The Book of the Mirror: An Interdisciplinary Collection Exploring the Cultural Story of the Mirror, Newcastle. Arden, H. M. (1993), The Romance of the Rose: An annotated Bibliography, New York. Ariani, M. and Gabriele, M. (eds) (1998), Francesco Colonna, Hypnerotomachia Poliphili: introduzione, traduzione e comment, 2 vols, Milan. Baig, B. P. (1982), Vision and Visualization: Optics and Light Metaphysics in the Imagery and Poetic Form of Twelfth and Thirteenth Century Secular Allegory, with Special Attention to the ‘Roman de la Rose’. PhD, University of California, Berkeley. Bartsch, S. (2006), The Mirror of the Self: Sexuality, Self-Knowledge, and the Gaze in the Early Roman Empire, Chicago and London. Benedetto, L. F. (1910), Il ‘Roman de la Rose’ e la letteratura Italiana, Halle a. S. M. Niemeyer. Blamires, A. and Holian, G. C. (2002), The Romance of the Rose Illuminated: Manuscripts at the National Library of Wales, Aberystwyth, Cardiff. Bowersock, G. W., Brown, P. and Grabar, O. (eds) (1999), Late Antiquity: A Guide to the Postclassical World, Cambridge, MA and London. Brandt, O. (2006), ‘The Lateran baptistery and the diffusion of octagonal baptisteries from Rome to Constantinople’, Atti del Congresso Internazionale di Archeologia Cristiana 14: 221–27. Carroll, L. (1871), Through the Looking Glass and What Alice Found There, London. Clay, D. (1980), ‘An Epicurean interpretation of dreams’, Americal Journal of Philology 101(3): 342–65, Washington, DC. Fleming, J. V. (1984), ‘Further reflections on Oiseuse’s mirror’, Zeitschrift für Romanische Philologie, 100: 26–40. Fleming, J. V. (1986), ‘The garden of the Roman de la Rose: Vision of landscape or landscape of vision?’, in E. B. MacDougall (ed.), Medieval Gardens, Washington, DC: Dumbarton Oaks Colloquium on the History of Landscape Architecture, 199–234. Foucault, M. (1984) ‘Des espaces autres: hétérotopies (conférence au Cercle d’études architecturales, 14 mars 1967)’, AMC – Architecture /Mouvement/Continuité 5: 46–49. As reproduced in D. Defert and F. Ewald (eds), Michel Foucault: Dits et écrits II. 1976–1988, Paris. Frappier, J. (1959), ‘Variations sur le thème du miroir, de Bernard de Ventadour à Maurice Scève’, Cahiers de l’Association internationale des études francaises, 11: 134–58. George, A. R. (2010), The Epic of Gilgamesh, London. Grace-Heller, S. (2000), Robing Romance: Fashion and Literature in Thirteenth-Century France and Occitania, PhD, Minneapolis, MN. Grace-Heller, S. (2001), ‘Light as glamour: The luminescent ideal of beauty in the Roman de la Rose’, Speculum, 76: 934–59. Harley, M. P. (1986), ‘Narcissus, Hermaphroditus, and Attis: Ovidian lovers at the Fontaine d’Amors in Guillaume de Lorris’s Roman de la Rose’, PMLA 101: 324–37. Horgan, F. (1994), Guillaume de Lorris and Jean de Meun. The Romance of the Rose, Oxford. Hult, D. F. (1981), ‘The allegorical fountain: Narcissus in the Roman de la Rose’, Romanic Review 72: 125–48. Hult, D. F. (1986), Self-Fulfilling Prophecies: Readership and Authority in the First Roman de la Rose, Cambridge. Huot, S. (2010), Dreams of Lovers and Lies of Poets: Poetry, Knowledge, and Desire in the Roman de la Rose, London. Jensen, R. M. (2011), Living Water: Images, Symbols, and Settings of Early Christian Baptism, Leiden. 266

Bibliography Knoespel, K. (1985), Narcissus and the Invention of Personal History, New York. Köhler, E. (1963), ‘Narcisse, la Fontaine d’Amour et Guillaume de Lorris’, Journal des savants 2: 86–103. Kruger, S. (1992), Dreaming in the Middle Ages, New York. Lees-Jeffries, H. (2006), ‘Sacred and profane love: Four fountains in the Hypnerotomachia (1499) and the Roman de la Rose’, Word & Image 22(1): 1–13. Lefaivre, L. (1997), Leon Battista Alberti’s Hypnerotomachia Poliphili: Re-cognizing the Architectural Body in the Early Italian Renaissance, Cambridge, MA. Lewis, S. (1992), ‘Images of opening, penetration and closure in the Roman de la Rose’, Word & Image 8: 215–42. Lewis, C. S. (1958), The Allegory of Love: A Study in Medieval Tradition, New York. Lochrie, K. (2006), ‘Sheer wonder: Dreaming Utopia in the Middle Ages’, Journal of Medieval and Early Modern Studies 36(3): 493–516. Lowry, M. (1979), The World of Aldus Manutius: Business and Scholarship in Renaissance Venice, Oxford. Louis, R. (1974), Le Roman de la Rose: Essai d’interpretation de l’allégorisme érotique, Paris. McCarty, W. (1989), ‘The shape of the mirror: Metaphorical catoptrics in Classical literature’, Arethusa 22: 161–95. Nichols, S. G. (2003), ‘Parler, penser, voir: le Roman de la Rose et l’étrange’, Littérature 130: Altérités du Moyen Âge, 97–114. Nolan, E. P. (1990), Now through a Glass Darkly: Specular Images of Being and Knowing from Virgil to Chaucer, Ann Arbor, MI. Nordenfalk, C. (1985), ‘The five senses in Late Medieval and Renaissance art’, Journal of the Warburg and Courtauld Institutes 48: 1–22. Notz, M.-F. (1978), ‘Hortus Conclusus: Réflexions sur le rôle symbolique de la clôture dans la description romanesque du jardin’, in F. Lecoy (ed.), Mélanges de literature du Moyen Age au XXe siècle offerts à Jeanne Lods, Paris, 459–72. Nouvet, C. (2000), ‘An allegorical mirror: the Pool of Narcissus in Guillaume de Lorris’ Romance of the Rose’, Romanic Review 91: 353–74. Ovid (1993), Metamorphoses, ed. W. S. Anderson, Stuttgart. Peklar, B. (2017), ‘The imaginary self-portrait in the poem Roman de la Rose’, Ars & Humanitas 11(1): 90–105. Pérez-Gómez, A. (2006), Built upon Love: Architectural Longing after Ethics and Aesthetics, Cambridge, MA. Polizzi, G. (1987), Emblematique et géométrie: L’ Espace et le Récit dans Le Songe de Poliphile, PhD, Université de Provence. Polizzi, G. (1990), ‘Le devenir du jardin mèdieval? Du verger de la rose à Cythère,’ in Senefiance 28: Vergers et Jardins dans l’Univers Medieval, 267–88. Pozzi, G. and Ciapponi, L. A. (eds) (1980), Edizione critica e commento a cura di Hypnerotomachia Poliphili di Francesco Colonna, 2 vols, Padua. Preus, A. (1968), ‘On “Dreams” 2, 459b24–460a33, and Aristotle’s ὄψις’, Phronesis 13(2): 175–82. Priki, E. (2015), Dream Narratives and Initiation Processes: A Comparative Study of the Tale of Livistros and Rodamne, the Roman de la Rose, and the Hypnerotomachia Poliphili, PhD, University of Cyprus. Richards, E. J. (1982), ‘Reflections on Oiseuse’s mirror: Iconographic tradition, luxuria and the Roman de la Rose’, Zeitschrift für Romanische Philologie 98: 296–311. Robertson, D. W. (1962), A Preface to Chaucer: Studies in Medieval Perspectives, Princeton, NJ. Root, J. (2011), ‘Marvelous crystals, perilous mirrors: Le Roman de la Rose and the discontinuity of the Romance subject’, The Romanic Review 102(1–2): 65–89. Stewering, R. (1996), Architektur und Natur in der ‘Hypnerotomachia Poliphili’ (Manutius 1499) und die Zuschreibung des Werkes an Niccolò Lelio Cosmico, PhD, University of Hamburg. 267

Bibliography Strubel, A. (1992), Guillaume de Lorris et Jean de Meun: Le Roman de la Rose, Paris. Taylor, R. M. (2008), The Moral Mirror of Roman Art, Cambridge and New York. Trippe, R. (2004), The Hypnerotomachia Poliphili and the Image of Italian Humanism, PhD, The Johns Hopkins University. White, I. (trans.) (unpublished), Hypnerotomachia Poliphili (The Sleeping Amorous Struggle of Polia’s Lover). Winton, T. E. (2002), A Skeleton Key to Poliphilo’s Dream: The Architecture of the Imagination in the Hypnerotomachia Poliphili, PhD, University of Cambridge.

Chapter 13 Balensiefen, L. (1990), Die Bedeutung des Spiegelbildes als ikonographisches Motiv in der antiken Kunst, Tübingen. Barthes, R. (1981), Camera Lucida, New York. Bartsch S. (2006), The Mirror of the Self. Sexuality, Self-Knowledge, and the Gaze in the Early Roman Empire, Chicago, IL. Bazin, A. (ed. and trans. Hugh Gray) (2004), What is Cinema? Vols 1 & 2, Berkeley, CA. Beretta, M. (2009), The Alchemy of Glass: Counterfeit, Imitation, and Transmutation in Ancient Glassmaking, Sagamore Beach, MA. Bliquez, L. J. (2015), The Tools of Asclepius: Surgical Instruments in Greek and Roman Times, Leiden. Cain, E. R. (2016), Through a Mirror Darkly: Mystical Metaphors of Sight from Paul to Gregory of Nyssa and Augustine of Hippo, PhD Thesis, New York. Cain, R. B. (2012), ‘Plato on Mimesis and mirrors’, Philosophy and Literature 36(1): 187–95. Camerota, F. (2002), ‘Optics and the visual arts: The role of Σκηνογραφία’, in J. Renn and G. Castagnetti (eds), Homo Faber: Studies on Nature, Technology and Science at the Time of Pompeii, Rome, 121–39. Capra, A. (2017), ‘Seeing through Plato’s looking glass. Mythos and Mimesis from republic to poetics’, Aisthesis 10: 75–86. Clark, S. R. L. (2016), Plotinus: Myth, Metaphor, and Philosophical Practice, Chicago, IL and London. Coulton, J. J. (2002), ‘The dioptra of Hero of Alexandria’, in C. J. Tuplin and T. E. Rihll (eds), Science and Mathematics in Ancient Greek Culture, Oxford, 150–64. De Grummond, N. T. (2002), ‘Mirrors, marriage and mysteries’, Journal of Roman Archaeology Supplement 47: 63–85. De Grummond, N. T. and M. Hoff (1982), ‘Mirrors of the Mediterranean’, in N. T. de Grummond, A Guide to Etruscan Mirrors, Tallahassee, FL, 52–58. De Puma, R. D. (2013), ‘Mirrors in art and society’, in J. M. Turfa (ed.), The Etruscan World, London and New York, 1041–67. Elsner J. (1995), Art and the Roman Viewer: The Transformation of Art from the Pagan World to Christianity, Cambridge. Frede, D. (1992), ‘The cognitive role of phantasia in Aristotle’, in M. C. Nussbaum and A. O. Rorty (eds), Essays on Aristotle’s De Anima, Oxford, 279–95. Goldberg, B. (1985), The Mirror and Man, Charlottesville, VA. Congdon, L. O. K. (1981), Caryatid Mirrors of Ancient Greece: Technical, Stylistic and Historical Considerations of an Archaic and Early Classical Bronze Series, Mainz. Grabes, H. (1982), The Mutable Glass, Cambridge. Greene, K. (2008), ‘Inventors, invention, and attitudes towards technology and innovation’, in J. P. Olesen (ed.), Handbook of Engineering and Technology in the Classical World, New York, 800–20.

268

Bibliography Grethlein, J. (2017), Aesthetic Experiences and Classical Antiquity. The Content of Form in Narratives and Pictures, Cambridge. Halliwell, S. (2002), The Aesthetics of Mimesis: Ancient Texts and Modern Problems, Princeton, NJ. Hardie, Ph. (1988), ‘Lucretius and the delusions of Narcissus’, MD 20/21: 71–89. Hirth, F. (1907), Chinese Metallic Mirrors: With Notes on some Ancient Specimens of the Musée Guimet, Paris. Hub, B. (2008), Die Perspektive der Antike. Archäologie einer symbolischen Form, Frankfurt am Main. Hulkes, R. (2007), ‘The mirror as a metaphor for epistemology in Seneca’s De Clementia’, in M. Anderson, The Book of the Mirror: An Interdisciplinary Collection Exploring the Cultural Story of the Mirror, Newcastle upon Tyne, 47–59. Hunink, V. (1997), Apuleius of Madauros: Pro Se De Magia, 2 vols, Amsterdam. Huxley, G. (1959), Anthemius of Tralles: A Study in Later Greek Geometry, Cambridge. Johansen, Th. K. (2012), The Powers of Aristotle’s Soul (Oxford Aristotle Studies), Oxford. Jones A. (2001), ‘Pseudo-Ptolemy De Speculis’, Sciamus 2: 145–86. Jonsson, F. M. (1995), Le Miroir, naissance d’un genre littéraire, Paris. Kauntze, M. (2007), ‘Seeing through a glass darkly: The interpretation of a biblical verse in Augustine of Hippo’, in M. Anderson (ed.), The Book of the Mirror: An Interdisciplinary Collection Exploring the Cultural Story of the Mirror, Newcastle. Knorr, W. R. (1983), ‘The geometry of burning-mirrors in antiquity’, Isis 74: 53–73. Knorr, W. R. (1985), ‘Archimedes and the Pseudo-Euclidean “Catoptrics”: Early stages in the ancient geometric theory of mirrors’, Archives internationales d’histoire des sciences 35: 28–105. Lada-Richards, I. (2005), ‘ “In the Mirror of the Dance”: A Lucianic metaphor in its performative and ethical contexts’, Mnemosyne 58(3): 335–57. Lapatin K. (2014), ‘The materials and techniques of Greek and Roman art’, in C. Marconi (ed.), The Oxford Handbook of Greek and Roman Art and Architecture, Oxford, 203–40. Lejeune, A. (1948), Euclide et Plolémée: deux stades de l’optique geometrique grecque, Louvain. Lejeune A. (1957), ‘Recherches sur la catoptrique grecque’, Memoires Acad. Bruxelles 52(2). Lejeune A. (1956), L’ Optique de Claude Ptolémée dans la version latine d’ après l’ arabe de l’ émir Eugène de Sicile, Édition critique et exégétique, Louvain. Lewis, M. J. T. (2001), Surveying Instruments of Greece and Rome, Cambridge. Libby, B. B. (2011), ‘Moons, smoke, and mirrors in Apuleius’ portrayal of Isis’, American Journal of Philology 132: 301–22. Lindberg D. C. (1976), Theories of Vision from al-Kindi to Kepler, London. MacFarlane, A. and Martin, G. (2002), Glass: A World History, Chicago, IL. McCarty, W. (1989), ‘The shape of the mirror: Metaphorical catoptrics in Classical literature’, Arethusa 22: 161–95. Melchior-Bonnet, S. (2001), The Mirror: A History, trans. Katharine H. Jewett; with a Preface by Jean Delumeau, New York and London. Mette, H.-J. (1983), ‘Spiegelbildlichkeiten’, Würzburger Jahrbücher für die Altertumswissenschaft NS 9: 81–87. Moyer, A. (2012), Deep Reflection: An Archaeological Analysis of Mirrors in Iron Age Eurasia, PhD Thesis, University of Minnesota. Myerowitz, M. (1992), ‘The domestication of desire: Ovid’s Parva Tabella and the Theater of Love’, in A. Richlin (ed.), Pornography and Representation in Greece and Rome, Oxford, 131–57. Nussbaum, M. C. (1978), Aristotle’s de Motu Animalium: Aristotle’s de Motu Animalium. Text with Translation, Commentary, and Interpretive Essays, Princeton, NJ. Petridou, G. (2016), Divine Epiphany in Greek Literature and Culture, Oxford. Perry, E. E. (2002), ‘Rhetoric, literary criticism, and the Roman aesthetics of artistic imitation’, MAARSup 1: 153–71. 269

Bibliography Platt, V. (2001), Facing the Gods: Epiphany and Representation in Graeco-Roman Art, Literature and Religion, Oxford. Platt, V. (2009), ‘Virtual visions: Phantasia and the perception of the divine in Philostratus’ Life of Apollonius of Tyana’, in E. L. Bowie and J. Elsner (eds), Philostratus, Cambridge, 131–54. Pollitt, J. J. (1974), The Ancient View of Greek Art. Criticism, History, and Terminology, New Haven, CT. Porter, J. I. (2010), The Origins of Aesthetic Thought in Ancient Greece: Matter, Sensation, and Experience, Cambridge. Rouveret, A. (1989), Histoire et imaginaire de la peinture ancienne, Rome. Scheiter, K. M. (2012), ‘Images, appearances, and phantasia in Aristotle’, Phronesis 57: 251–78. Schofield, M. (1992), ‘Aristotle on the imagination’, in M. C. Nussbaum and A. O. Rorty (eds), Essays on Aristotle’s De Anima, Oxford, 249–77. Seaford, R. A. S. (1998), ‘In the mirror of Dionysus’, in S. Blundell and M. Williamson (eds), The Sacred and the Feminine, London, 101–18. Sheppard, A. (2003), ‘The mirror of imagination: The influence of Timaeus 70eff.’, in R. W. Sharples and A. Sheppard (eds), Ancient Approaches to Plato’s Timaeus, London, 203–12 (BICS Supplements, vol. 78). Sheppard, A. (2014), The Poetics of Phantasia: Imagination in Ancient Aesthetic, London. Sheppard, A. (2015), ‘Imagination’, in P. Destree and P. Murray (eds), A Companion to Ancient Aesthetics, Chichester, 354–65. Simon G. (1987), ‘Behind the mirror’, Graduate Faculty Philosophy Journal 12(1–2): 311–50 [special issue: Topics in the History and Philosophy of Science]. Simon, G. (1988), Le regard, l’être et l’apparence dans l’optique de l’antiquité, Paris. Simon, G. (2003), Archéologie de la vision, Paris. Sinisgalli, R. (2012), Perspective in the Visual Culture of Classical Antiquity, Cambridge. Small, J. P. (2013), ‘Skenographia in brief ’, in G. M. W. Harrison and V. Liapis (eds), Performance in Greek and Roman Theatre, Leiden and Boston, MA, 111–28. Smith, A. M. (1996), ‘Ptolemy’s theory of visual perception: An English translation of the Optics with Introduction and Commentary’, Transactions of the American Philosophical Society 86(2). Smith, A. M. (2014), From Sight to Light, The Passage from Ancient to Modern Optics, Chicago, IL. Steiner, D. T. (2001), Images in Mind Statues in Archaic and Classical Greek Literature and Thought, Princeton, NJ. Stoichiță, V. I. (1997), Short History of the Shadow, trans. Anne-Marie Glasheen, London. Takahashi, K. (1992), Medieval Latin Traditions of Euclid’s Catoptrica: A Critical Edition of ‘De Speculis’ with an Introduction, English Translation, and Commentary, Fukuoka. Tanner, J. (2006), The Invention of Art History in Ancient Greece: Religion, Society and Artistic Rationalisation, Cambridge. Taylor, R. (2008), The Moral Mirror of Roman Art, Cambridge. Too, Y. L. (1996), ‘Statues, mirrors, gods: Controlling images in Apuleius’, in J. Elsner (ed.), Art and Text in Roman Culture, Cambridge, 211–24. Toomer, G. (trans.) (1976), Diocles on Burning Mirrors, New York. Trimpi, W. (1978), ‘The early metaphorical use of skiagraphia and skenographia’, Traditio 34: 404–13. Ulrich, J. P. (2016), Platonic Reflections in Apuleius, PhD Thesis, University of Pennsylvania. Van der Eijk, P. J. (1994), Aristoteles: De Insomniis. De Divinatione per Somnum (Aristoteles. Werke in deutscher Übersetzung 14/III), Berlin. Vernant, J.-P. and Frontisi-Ducroux, F. (1997), Dans l’ Sil du miroir, Paris. Watson, G. (1988), Phantasia in Classical Thought, Galway. Wedin, M. V. (1988), Mind and Imagination in Aristotle, New Haven, CT. 270

Bibliography

Chapter 14 Addey, C. (2007), ‘Mirrors and divination: Catoptromancy, oracles and earth goddesses in antiquity” in M. Anderson (ed.), The Book of the Mirror: An Interdisciplinary Collection Exploring the Cultural Story of the Mirror, Newcastle upon Tyne, 32–46. Baltrusaitis, J. (1978), Le miroir: essai sur une légende scientifique: révélations, science-fiction et fallacies, Paris. Borges, J. L. (1970 [1945]), ‘The Aleph’, in The Aleph and Other Stories, 1933–1969, ed. and trans. by N. T. di Giovanni, New York, 15–30. Cherniss, H. (1957), ‘Concerning the face which appears in the Moon’, in H. Cherniss and W. C. Helmbold (eds), Plutarch Moralia Volume XII, Cambridge, MA, 1–223. Congdon, L. O. Keene (1985), ‘Greek mirrors’, Notes in the History of Art 4(2/3): 19–25. Coulton, J. J. (2002), ‘The dioptra of Hero of Alexandria’, in C. J. Tuplin and T. E. Rihll (eds), Science and Mathematics in Ancient Greek Culture, Oxford, 150–64. Couprie, D. L. (2011), Heaven and Earth in Ancient Greek Cosmology: From Thales to Herclid es Ponticus, New York, Dordrecht, Heidelberg and London. Dällenbach, L. (1989), The Mirror in the Text, trans. by J. Whitely with E. Hughes, Chicago, IL. Delatte, A. (1932), La catoptromancie grecque et ses dérivés, Liège and Paris. Diels, H. (1920), ‘Lukrezstudien II’, Sitzungsberichte der Preussischen Akademie der Wissenschaft, 2–18. Dillon, J. M. (2003), The Heirs of Plato: A Study of the Old Academy (347–274 bc), Oxford. Eisler, R. (1949), ‘The polar sighting tube’, Archives Internationales d’Histoire des Sciences 28: 312–23. Frontisi-Ducroux, F. and Vernant, J.-P. (1997), Dans l’oeil du miroir, Paris. Fusillo, M. (1999), ‘The mirror of the Moon: Lucian’s A True Story – from satire to Utopia’, in S. Swain (ed.), Oxford Readings in the Greek Novel, Oxford, 351–81. Gainsford, P. (2012), ‘Odyssey 20.356–357 and the eclipse of 1178 bce : a response to Baikouzis and Magnasco’, TAPA 142(1): 1–22. García Santo-Thomás, E. (2017), The Refracted Muse: Literature and Optics in Early Modern Spain, trans. by V. Barletta, Chicago, IL. Georgiadou, A. and Larmour, D. H. J. (1998), Lucian’s Science Fiction Novel True Histories: Interpretation and Commentary, Leiden. Georgiadou, A. and Larmour, D. H. J. (1994), ‘Lucian and historiography: De historia conscribenda and Verae Historiae’, ANRW II. 34.2. Berlin and New York, 1448–509. Görgemanns, H. (1970), Untersuchungen zu Plutarchs Dialog De facie in orbe lunae, Heidelberg. Grabes, H. (1982), The Mutable Glass: Mirror-Imagery in Titles and Texts of the Middle Ages and English Renaissance, trans. by G. Collier, Cambridge. Graham, D. W. (2013), Science before Socrates: Parmenides, Anaxagoras, and the New Astronomy, Oxford and New York. Hadot, P. (1995), Philosophy as a Way of Life. Spiritual Exercises from Socrates to Foucault, ed. A. I. Davidson and trans. M. Chase, Malden, MA, Oxford and Victoria. Hamilton, Sir W. and Tischbein, J. H. W. (1795), Collection of engravings from ancient vases mostly of pure Greek workmanship: discovered in sepulchres in the Kingdom of the Two Sicilies but chiefly in the neighbourhood of Naples during the course of the years MDCCLXXXIX and MDCCLXXXX. Now in the possession of Sir Wm. Hamilton . . . with remarks on each vase by the collector . . . Mr. Wm. Tischbein Director of the Royal Academy of Painting at Naples, Vol. 3. Hill, D. E. (1973), ‘The Thessalian trick’, RhM 116(3/4): 221–38. Huxley, G. (1963), ‘Eudoxian topics’, GRBS 4(2): 83–105. Keyser, P. T. (1992), ‘Xenophanes’ sun (frr. A32, 33.3, 40 DK6) on Trojan Ida (Lucr. 5.660–5, D.S. 17.7.5–7, Mela 1.94–5),’ Mnemosyne 45: 299–311. 271

Bibliography König, J. and Whitmarsh, T. (eds) (2007), Ordering Knowledge in the Roman Empire, Cambridge. Koppenfels, W. von (1981), ‘Mundus alter et idem. Utopiefiktion und menippeische Satire’, Poetica 13: 16–66. Lada-Richards, I. (2005), ‘ “In the mirror of the dance”: A Lucianic metaphor in its performative and ethical contexts’, Mnemosyne 58(3): 335–57. Lewis, M. J. T. (2001), Surveying Instruments of Greece and Rome, Cambridge, 51–108. McCarty, W. (1989), ‘The shape of the mirror: Metaphorical catoptrics in Classical literature’, Arethusa 22: 161–95. Mansfeld, J. and Runia, D. T. (2009), Aëtiana. The Method and Intellectual Context of a Doxographer, Vol. III, Leiden and Boston, MA. ní Mheallaigh, K. (2014), Fakes, Freaks and Hyperreality: Reading Fiction with Lucian, Cambridge. ní Mheallaigh, K. (2019), ‘Looking back in wonder: Contemplating home from the Iliad to Pale Blue Dot’, in T. Biggs and J. Blum (eds), The Epic Journey in Greek and Roman Literature, Cambridge, 263–91. ní Mheallaigh, K. (forthcoming), The Moon in the Greek and Roman Imagination: Selenography in Myth, Literature, Science and Philosophy, Cambridge. von Möllendorff, P. (2000), Auf der Suche nach der verlogenen Wahrheit. Lukians Wahre Geschichten, Tübingen. Neve, M. (2004), ‘Glazy reflections. Notes on the role of glass as a sensorium communis [sic] in the formation of some geographical paradigms’, in M. Beretta (ed.), When Glass Matters: Studies in the History of Science and Art from Graeco-Roman Antiquity to Early Modern Era, Florence, 283–320. Plantzos, D. (1997), ‘Crystals and lenses in the Graeco-Roman world’, American Journal of Archaeology 101(3): 451–64. Préaux, C. (1973), La lune dans la pensée grecque, Brussels. Sayili, A. (2007), ‘The “observation well” ’, Foundation for Science, Technology and Civilisation 636: 1–7. Schibli, H. S. (1993), ‘Xenocrates’ daemons and the irrational soul’, CQ 43: 143–67. Taub, L. (2008), Aetna and the Moon: Explaining Nature in Ancient Greece and Rome, Corvallis. Taylor, R. (2008), The Moral Mirror of Roman Art, Cambridge and New York. Temple, R. (2000), The Crystal Sun. Rediscovering a Lost Technology of the Ancient World, London. Wälchli, P. (2003), Studien zu den literarischen Beziehungen zwischen Plutarch und Lukian, Leipzig. Wasserstein, A. (1967), ‘An unpublished treatise by Demetrius Triclinius on lunar theory’, Jahrbuch der österreichischen byzantinischen Gesellschaft 16: 153–74. Webster, C. (2014), Technology and/as Theory: Material Thinking in Ancient Science and Medicine. PhD Diss., Columbia University. Whitaker, E. A. (1999), Mapping and Naming the Moon: A History of Lunar Cartography and Nomenclature, Cambridge. Williams, G. D. (2012), The Cosmic Viewpoint. A Study on Seneca’s Naturales Quaestiones, Oxford and New York.

Chapter 15 Alpatov, M. V. (1978), Early Russian Icon Painting, Moscow. Baltzly, D. and M. Share (trans.) (2018), Hermeias: On Plato Phaedrus 227A–245E, London. Bekker, I. (ed.) (1838), Pseudo-Symeon Magistros Chronicon, Theophanes Continuatus, CSHB, Bonn. Belting, H. (1994), Likeness and Presence. A History of the Image before the Era of Art, trans. E. Jephcott, London.

272

Bibliography Bernard, H. (trans.) (1997), Hermeias von Alexandrien, Kommentrar zur Platons Phaidros, Tübingen. Betancourt, R. (2018), Sight, Touch, and Imagination in Byzantium, Cambridge. Cain, E. R. (2016), Through a Mirror Darkly: Mystical Metaphors of Sight from Paul to Gregory of Nyssa and Augustine of Hippo. Diss. New York. Cameron, A. (1983), ‘The history of the image of Edessa: The telling of a story’, in Okeanos. Essays Presented to Ihor Ševčenko, Harvard Ukranian Studies 7: 80–94. Constas, N. (1997), ‘Icons and the imagination’, Logos. A Journal of Catholic Thought and Culture 1(1): 114–25. Cormack, R. (1997), Painting the Soul. Icons, Death Masks and Shrouds, London. Couvreur, P. (ed.) (1901), Hermiae Alexandrini in Platonis Phaedrum scholia, Paris. Cuscin, M. (2009), The Image of Edessa, Leiden. Cutler, A. (1985), The Craft of Ivory. Sources, Techniques, and Uses in the Mediterranean World: A.D. 200–1400, Washington, DC. Cutler, A. (1994), The Hand of the Master. Craftsmanship, Ivory and Society in Byzantium (9th–11th Centuries), Princeton, NJ. Dagron, G. (1991), ‘Holy images and likeness’, Dumbarton Oaks Papers 45: 23–33. De Imagine Edessena CP. Translata, PG 133: cols 424–54, esp. 444–48. Dobschutz, E. (1899), Christusbilder. Untersuchungen zur christlichen Legende, Leipzig. Dubable, A.-M. (1997), ‘L’homélie de Grégoire le Référendaire pour la reception de l’image d’Édesse’, Revue des etudes byzantines 55: 5–51. Elkins, J. (1999), Why are Our Pictures Puzzles? On The Modern Origins of Pictorial Complexity, New York. Elsner, J. (2003), ‘Visualising women in Late Antique Rome: The Projecta casket’, in C. Entwistle (ed.), Through a Glass Brightly. Studies in Byzantine and Medieval Art and Archaeology Presented to David Buckton, Oxbow. Engberg, S. G. (2004), ‘Romanos Lekapenos and the Mandilion of Edessa’, in J. Durand and B. Flusin (eds), Byzance et les reliques du Christ, Paris, 123–42. Evans, H. C. and Wixon, W. D. (eds) (1997), The Glory of Byzantium. Art and Culture of the Middle Byzantine Era A. D. 843–1261, New York. Evans, H. C., Holcomb, M. and Hallman, R. (2001), ‘The Arts of Byzantium’, The Metropolitan Museum of Art Bulletin 58(4) (Spring). Fee, G. D. (1987), The First Epistle to the Corinthians, Grand Rapids, MI. Frazer, M. E. (1974), ‘Hades stabbed by the cross of Christ’, Metropolitan Museum Journal 9: 153–61. Frelick, N. M. (ed.) (2016), The Mirror in Medieval and Early Modern Culture. Specular Reflections, Turnhout. Goldin, F. (1967), The Mirror of Narcissus in the Courtly Love Lyric, New York. Goldschmidt, A. and Weitzmann, K. (1934), Die byzantinischen Elfenbeinskulpturen des X.–XIII. Jahrhunderts, Vol. II, Berlin. Gombrich, E. H. (1996), Art & Illusion. A Study in the Psychology of Pictorial Representation, Phaidon Press, 89. Grabar, A. (1931), La Sainte Face de Laon: Le Mandylion dans l’art orthodoxe. Seminarium Kondakovianum, Prague. Howard, K. (1994), The Metropolitan Museum of Art Guide, New York. James, L. and Webb, R. (1991), “‘To understand ultimate things and enter secret places”: Ekphrasis and art in Byzantium’, Art History 14: 1–17. Kalavrezou, I. et al. (eds) (2003), Byzantine Women and Their World, London. Kee, J. (2012), ‘Detail’, The Art Bulletin 94(4): 499–501. Kessler, H. L. and Wolf, G. (eds) (1998), The Holy Face and the Paradox of Representation, Bologna.

273

Bibliography Kitzinger, E. (1995), ‘The Mandylion at Monreale’, Arte Profana e Arte Sacra a Bisanzio, A Iacobini and E. Zanini (eds), Rome, 575–590 [reprinted in E. Kitzinger, Studies in Late Antique Byzantine and Medieval Western Art, Vol. II, London, 2003, no. XXXVIII, 1158–18]. Lazarev, V. N. (1976), Novgorodian Icon Painting, Moscow. Lucarini, C. M. and Moreschini, C. (eds) (2012), Hermias Alexandrinus: In Platonis Phaedrum scholia, Berlin. Magdalino, P. (2004), ‘L’église du Phare et les reliques de la Passion à Constantinople (VIIe/ VIIIe–XIIIe siècles)’, in J. Durand and B. Flusin (eds), Byzance et les reliques du Christ, Paris, 15–30. Madgalino, P. (2013), ‘Knowledge in authority and authorized history: The Imperial Intellectual Programme of Leo VI and Constantine VII’, in P. Armstrong (ed.), Authority in Byzantium, London, 187–210. Melchior-Bonnet, S. (2001), The Mirror. A History, New York. Mondzain, M.-J. (2005), Image, Icon, Economy. The Byzantine Origins of the Contemporary Imaginary, trans. R. Franses, Stanford, CA. O’Neill, J. P. (ed.) (1987), The Metropolitan Museum of Art. Europe in the Middle Ages, New York. Onians, J. (1980), ‘Abstraction and Imagination in Late Antiquity’, Art History 3(1): 1–24. Papaioannou, S. (2010), ‘Byzantine mirrors. Self-Reflection in Medieval Greek writing’, Dumbarton Oaks Papers 64: 81–101. Ragusa, I. (1991), ‘Mandylion-Sudarium: The translation of a Byzantine relic to Rome’, Arte Medievale II(2): 97–106. Runciman, S. (1929), The Emperor Romanus Lecapenus and his Reign. A Study in Tenth-Century Byzantium, Cambridge. Seaford, R. (1984), 1 ‘Corinthians XIII:12’, The Journal of Theological Studies (Notes and Studies) 35: 117–120. Stein, W. A. (2016), How to Read Medieval Art, New York. Tilghman, B. C. (2011), ‘The shape of the word: Extralinguistic meaning in insular display lettering’, Word & Image 27(3): 292–308, esp. 300. Trilling, J. (1998), ‘The image not made by hands and the Byzantine way of seeing’, in H. L. Kessler and G. Wolf (eds), The Holy Face and the Paradox of Representation, Bologna, 109–27. Tronzo, W. (2018), ‘Justinian’s Hagia Sophia, Angels and Restlessness’, in J. N. Napoli and W. Tronzo (eds), Radical Marble. Architectural Innovation from Antiquity to the Present, London and New York, 23–42. Webb, R. (2007), ‘Accomplishing the picture. Ekphrasis, mimesis and martyrdom in Asterios of Amaseia’, in L. James (ed.), Art and Text in Byzantine Culture, Cambridge, 13–32. Webster, C. (2014), ‘Technology and/as Theory: Material Thinking in Ancient Science and Medicine’ (unpublished diss.), Columbia. Weitzmann, K. (1960), ‘The Mandylion and Constantine Porphyrogennetos’, Cahiers Archéogiques XI: 163–84. Wolf, G. (1998), ‘From Mandylion to Veronica’, in H. L. Kessler and G. Wolf (eds) (1998), The Holy Face and the Paradox of Representation, Milan, 153–79. Wolf, G. et al. (eds) (2004), Mandylion: Intorno al Sacro Volto, da Bisanzio a Genova, Skira.

Chapter 16 Acerbi, F. (2011), ‘The geometry of burning mirrors in Greek antiquity: Analysis, heuristic, projections, lemmatic fragmentation’, Archive for History of Exact Sciences 65(5): 471–97. Beebe, W. (1938), 923 Meter unter dem Meerespiegel, Leipzig. Brockhaus, H. (1891), Die Kunst in den Athos-Klöstern, Leipzig.

274

Bibliography Busch, G. (1804), Handbuch der Erfindungen, Vol. 2, Eisenach. Calas, N. (1942), Confound the Wise, New York. Calas, N. (1975), Mirrors of the Mind, New York. Daguerre, L. (1839), Histoire et description des procédés de Daguerréotype et du Diorama, Paris. Della Porta, G. (1558), Magiae Naturalis, Naples. Didron, N. (1845), Manuel d’iconographie chrétienne grecque et latine, Paris. Dimaras, K. Th. (1937–1938), ‘Θεοφάνους του εξ Αγράφων βίος Διονυσίου του εκ Φουρνά’, Ελληνικά 10: 273–79. Donndorf, J. (1818), Geschichte der Erfindungen, Vol. 5, Leipzig. Dräseke, J. (1893), Vom Dionysioskloster auf dem Athos, in: Byzantinische Zeitschrift, Vol. 2.1, Jan. 1893, 79–95. Dupuy, L. (1777), Fragment d’ un ouvrage grec d’Anthémius, sur des paradoxes de mécanique, s. I. Dutens, L. (1775), Du miroir ardent d’Archimede, Paris. Edgerton, S. (2009), The Mirror, the Window, and the Telescope, Ithaca, NY. Gedeon, M. (1876), ‘Ποικίλη Στοά. Αθωνική αγιογραφία. Τοιχογραφίαι Πανσελήνου’, Πρωία vol. A´, 2, Nr. 7, 18. Oct. 1876, 53–54. Gedeon, M. (1885), Ο Άθως, Constantinople. Grafton, A. (1991), Fälscher und Kritiker: Der Betrug in der Wissenschaft, Berlin. Hetherington, P. (1974), The Painter’s Manual of Dionysius of Fourna, London. Hockney, D. (2001), The Secret Knowledge, London. Huxley, G. (1959), Anthemius of Tralles: A Study in Later Greek Geometry, Cambridge. Kakavas, G. (2008), Dionysios of Phourna (c. 1670–c. 1745). Artistic Creation and Literary Description, Leiden. Kirchner, A. (1646), Ars magna lucis et umbrae, Rome. Kladaki-Vratsanou, E. (2009), ‘Καλοδούκας Κυραμαριός του Νικολάου’, Symaikon Vima Sept.–Oct., 342: 5. Kladaki-Vratsanou, E. (2010), ‘O ηγετικός ρόλος της Σύμης’, Symaikon Vima May–June: 5. Knorr, W. R. (1983), ‘The geometry of burning-mirrors in antiquity’, Isis 74: 53–73. Lefèvre, W. (ed.) (2007), Inside the Camera Obscura: Optics and Art under the Spell of the Projected Image, preprint 333, Berlin. Lykurgos, A. (1856), Enthüllungen über den Simonides-Dindorfschen Uranios. Unter Beifügung eines Berichtes von Herrn Prof. Tischendorf, Leipzig. Millet, G. (1927), Monuments de l’ Athos, Les peintures, Paris. Milliner, M. (2016), ‘Man or metaphor? Manuel Panselinos and the Protaton frescoes’, in Johnson, Papalexandrou and Ousterhout (eds), Approaches to Byzantine Architecture and its Decoration, Burlington, Ontario, 221–35. Müller, Diamantopoulou, Gastgeber and Katsiakiori-Rankl (eds) (2017), Die getäuschte Wissenschaft. Ein Genie betrügt Europa, Vienna. Niebuhr, B. G. (1828), Corpus Scriptorum Historiae Byzantinae, Pars III: Agathias, Bonn. Oikonomos, K. (1849), Περί των ερμηνευτών, Athens. Omont, H. (1888), Inventaire sommaire des manuscrits grecs de la Bibliotheque nationale et des autres bibliotèques de Paris et des Départements, III, Paris. Papadopoulos-Kerameus, A. (1909), Διονύσιου του εκ Φουρνά ερμηνεία της ζωγραφικής τέχνης, St Petersburg. Pyatnitsky, Y. (2011), ‘An imperial eye to the past: Byzantine exhibitions in the State Hermitage museum, 1861–2006’, Tyragetia, serie nouă V[XX](2): 71–98. Rangavis, A. R. (1851), ‘Σιμωνίδου χειρόγραφα’, Pandora 23 (Feb. 1851): 551–55; 24 (March 1851): 565–73; 25 (April 1851): 595–602; 26 (May 1851): 621–27.

275

Bibliography Restle, M. (1995), ‘Malerbücher’, in Marcell Restle and Klaus Wessel (eds), Reallexikon zur byzantinischen Kunst V: 1222–73. Risner, F. (ed.) (1572), Opticae Thesaurus Alhazeni, Basel. Russo, L. (2005), Die vergessene Revolution oder die Wiedergeburt antiken Wissens, Berkeley, CA. Sathas, K. (1868), Νεοελληνική φιλολογία. Βιογραφίαι εν τοις γράμμασι διαλαμψάντων Ελλήνων από της καταλύσεως της βυζαντινής αυτοκρατορίας μέχρι της ελληνικής εθνεγερσίας (1453–1821), Athens. Simms, D. L. (1977), ‘Archimedes and the burning mirrors of Syracuse’, Technology and Culture 18: 1–24. Simonides, K. (1848), Περί Ηλιοτυπίας και ανεκδότων τινών αρχαίων χειρογράφων νεωστί ανακαλυφθέντων, Athens. Simonides, K. (ed. and trans.) (1864), The Periplus of Hannon, London. Simonides, K. (ed.) (1849), Συμαΐς ή Ιστορία της εν Σύμη Απολλωνιάδος Σχολής [. . .] υπό Μελετίου ιερομονάχου του εκ Χίου, Athens. Simonides, K. (ed.) (1850), Γεωγραφικά τε και Νομικά την Κεφαληνίαν αφορώντα [. . .] Ευλύρου Κεφαλλήνος του Πυλαρέως, Athens. Simonides, K. (ed.) (1853), Eρμηνεία των ζωγράφων ως προς την εκκλησιαστικήν ζωγραφιάν, Athens. Simonides, K. (ed.) (1861 and 1862), Facsimiles of Certain Portions of the Gospel of St. Matthew, London. Siniosoglou, N. (2016), Αλλόκοτος ελληνισμός, Athens. Toomer, G. (trans.) (1976), Diocles on Burning Mirrors, New York. Tsigaridas, E. (2008), Οι τοιχογραφίες του παρεκκλησίου του Αγίου Ευθυμίου (1302/03) στον Ναό του Αγίου Δημητρίου: Έργο του Μανουήλ Πανσέληνου στην Θεσσαλονίκη, Thessaloniki. Unger, Fr. W. (1870), ‘Christlich-griechische oder byzantinische Kunst’, in H. Brockhaus (ed.), Griechenland. Geographisch, geschichtlich und culturhistorisch, Bd. 5, Leipzig, 291–474. Van Helden, A., Dupré, S. and Van Gent, R. (2010), The Origins of the Telescope, Amsterdam. Vasilaki, M. (1999), Ο Μανουήλ Πανσέληνος και η εποχή του, Athens. Vlachos, K. (1903), Η χερσόνησος του Αγίου Όρους και εν αυτή μοναί και οι μοναχοί πάλαι τε και νυν, Volos. Westermann, A. (1839), Παραδοξογράφοι [Paradoxographoi], Scriptores rerum mirabilium Graeci, Braunschweig and London (= Amsterdam 1963). Willach, R. (2008), The Long Route to the Invention of the Telescope, Philadelphia. Xanthakis, A. (1991), Ιστορία της ελληνικής φωτογραφίας, Athens.

276

INDEX

Note: Headings in italics are book titles or non-English terms. Page numbers in italics refer to illustrations; those followed by n. refer to a note with its number. Abgar, King of Edessa 185–6 acheiropoietic icons 178–81, 182, 184–7 Achilles Tatius 133, 167–8 acoustics 173–4 Acts of John 134–5 Acts of Thomas 134 Aëtius 171 air (as medium) and distance 36–8 and vision 2, 22, 24–7, 34, 44–5, 46, 50–2 Alberti, Leon Battista 96 Alcaeus of Mytilene 60, 109 Alexander of Aphrodisias De Sensu 24–5, 26, 37 Mantissa 19–20, 22, 23, 25 On the Soul 19, 20–1, 21–4 Alhacen, De aspectibus 1 Alhazen, Book of Optics 192 Amant (Le Roman de la Rose) 140, 142–3, 145–8 amour courtois (fin’ amor) 81, 82–6, 87, 90 Amour (Le Roman de la Rose) 145–7 analogical reasoning 41–2, 120, 123, 125, 228 n.6 Anaxagoras 125 animals 121–2, 123–4 Anthemius of Tralles 115, 191–2 Antiochus of Ascalon 123 ants 123–4 appetites 9–10, 15–16, 203 n.38, 203 n.41 Apuleius 175 Apologia 159–60, 162 Arabic texts 47–8, 191 Archimedes 192 Aristophanes 117, 206 n.3 Acharnians 112–13 Clouds 166–8 Aristotle Categories 25–6 De insomniis (On Dreams) 14, 163, 202 n.29 On the generation of animals 173–4 Metaphysics 21 Meteorology 19 On Sense Perception 19, 24, 27–8 theory of vision 23–7

Ars Amandi 87, 89–90 artworks. See paintings Athos, Mount 189–90, 193, 195, 196, 244 n.35 atomic world 32–3, 42, 119 Bacon, Roger 49, 210 n.34, 211 n.47 Barlaam the Calabrian 130 Basil of Caesarea 131 beauty 134, 146–7 female 4, 68, 81, 86–8, 141 male 99–101, 102 of the soul 96, 131 See also cosmetic mirrors Benedetto, Luigo Foscolo 141 Bernardino de Sahagún 108, 224 n.9 Bjørnbo, Axel Anthon 47, 49 Book of Wisdom 127–8, 130 books, as mirrors 136 box mirrors 69 bronze mirrors Corinthian 179 Etruscan 73–80 in Graeco-Roman Egypt 67–70 Greek 11, 14, 201 n.12 surfaces 13, 202 n.29, 202 n.30 Brown, Peter 49 burning mirrors 191–3 Burns, E. J. 89 Busch, Wilhelm Benjamin 191 Byzantium culture 183–4 literature 2, 127–8 mirrors 179 theology 128–31, 184–7 Calas, Nikolas 1, 189, 197, 242 n.1 Calchas 13, 202 n.27 Cambridge change 26, 206 n.24, 206 n.25 camera obscura 194–5 Camille, Michael 81, 86 Capellanus, Andreas, De Amore 81, 87, 89–90 Carroll, Lewis 139 caryatid mirrors 69 case mirrors 69

277

Index Castor and Pollux 73, 74–8 catoptrics 1–2, 110–12 animism 162–4 catoptric moon 165–75 devices 207 n.16 Epicurean philosophy 29–35, 36–42 mimesis 99, 157–62 in religious context 114–17, 180 See also reflection catoptromancy 32, 112–14, 132, 173, 206 n.3 See also reflection children 121–3 Chionates, Michael 136 Chioniades, Gregory 131 Christianity Metropolitan Crucifixion Ivory 177–87 and mirrors 4, 117, 127–31, 134–5, 178–9 Cicero, De Finibus 121–3 clamshell mirrors 69 Clement of Alexandria 117 Colonna, G. 75 colours mirror images 21–7, 52 vision 44, 46, 211 n.45 concave mirrors 47, 172–3 cones (visual) 43–4, 45–7, 211 n.55 Constantine VII Porphyrogennetos 136, 184–7, 242 n.54 convex mirrors 47, 68, 124, 172–3 cosmetic mirrors in antiquity 68, 79 Middle Ages 81, 82–3, 86, 89–90 See also beauty courtly love (fin’ amor) 81, 82–6, 87, 90 Cristofani, M. 76 cryptomorphs 180–1, 182, 184, 187 crystals 143–4, 145–7, 233 n.26 curved mirrors 2, 47, 68, 124, 172–3 catoptric animism 162–4 Cutler, Anthony 182 Da Vinci, Leonardo 96 death 75, 139 Epicurean philosophy on 119–20 underworld 77, 170, 181 deception 1, 109, 127, 158, 175, 189 See also illusions decoration Etruscan mirrors 73–4 scenes of courtly love 84–6 deformation. See distortion de Lorris, Guillaume 81, 87, 141, 148 Demeter 113, 173 de Meun, Jean 81, 87–9, 90, 141 Demosthenes 110 Didron, Adolph 193–4, 196

278

Digenis Akrites 127 Diocles 209 n.24 Diogenes of Oinoanda 31–2 Dionysius 75 Dionysiac Mysteries 32, 108, 116, 117 dioptra 60–1, 127–8, 131, 133–4, 135–7 seeing tube 173–4 Dioscuri 73, 74–8 direct vision 43–5, 50–3 distance 34, 36–8, 54 distortion 2, 34, 46–7, 54, 113, 157, 162 See also refraction divination 134–7 books as mirrors 136 catoptromancy 32, 112–14, 132, 173, 206 n.3 hepatoscopy 10–14 lecanomancy 116, 132, 135 divine epiphany 76, 112, 116–17, 163 divine presence 107, 112, 115, 116–17 diving bells 190–1 double folded mirrors 68–9 dreams 21, 139–40, 203 n.40 Hypnerotomachia Poliphili 149–54 Le Roman de la Rose 140, 141–8, 153–4 Durand, Paul 193–4 earth, and the moon 169–75 Echo 93, 95, 96–7 Edessa, image of. See Mandylion Egypt 59 Greek language in 61, 64–5 women’s daily life 67–71 elements 53 embodied soul 9–10, 12, 15–16 Empedocles 36 Encheiridion (Painter’s Manual) 193–4 encomia 131–2 enoptromancy. See catoptromancy Epicurean philosophy 32, 33–4, 36, 40 and death 119–20, 121, 124–5 mirrors of nature 120–5 reflection 36–42 theory of vision 19–20, 31–2 epiphany 112, 116–17, 163 of Dioscuri 76 epistolography 131–2 Etruscans mirrors 13, 73–80 religion 77 etymology 60–7, 124–5, 133–4, 139 See also Greek language; Latin language Euclid Catoptrica 115 De Speculis 161, 162, 164 theory of vision 43–4

Index Eudoxus of Cnidos 240 n.52 Exodus 135 extramission theory 43 eyes (human) 43–6, 51–2, 53, 209 n.20, 211 n.45 female. See women fin’ amor 81, 82–6, 87, 90 flames 77–9 flat mirrors 2, 157–8 catoptric mimesis 158–62 multiple 38–41, 114 floral imagery 73, 77 Florentine Codex 108, 111, 224 n.9 folding mirrors 68–70 forgeries 189–97 Foucault, Michel 3, 139–40 fountains Narcissus’ fountain 141–2, 143–7 Salmacis 142–3, 146 Freud, Lucian 96 Freud, Sigmund 94–5 Galen, Claudius De Placitis Hippocratis et Platonis 44–5, 48–9 mirrors 208 n.12 theory of vision 43, 44–6, 209 n.20, 211 n.54 gardens 140–1, 143, 146–8 gaze direction of 60, 61 fin’ amor 83, 84–5, 87 lecanomancy 116, 132, 135 in mythology 60, 110 religious 108–9, 130, 157 women and mirrors 13, 15, 83, 179, 240 n.8 gender objects, mirrors as 59, 67–8, 70–1 See also women geometrical optics 43–4, 110–12, 115, 117 Gerard of Cremona 47–8 glass mirrors 81, 139, 199 n.4 Graeco-Roman world 59, 67–71, 107–17 Greek culture ancient Greek religion 112–17 hepatoscopy 11–12 technological achievements 191–7 Greek language 139 mirrors in 60–71, 124–5, 133–4 use in Egypt 61, 64–5 See also etymology Greenblatt, Stephen 82 Gregory of Nyssa 133 Gregory the Referendarius 186 Guillaume de Lorris 81, 87, 141, 148 Hades 77, 170, 181. See also death Hegesianax of Alexandria Troas 171 heliotypia 193–4

hepatoscopy 10–14 Hermaphroditus 142, 146 Hermias 178 Herodotus 78–9 Hero of Alexandria (Pseudo-Hero) Catoptrica 111–12, 113–15, 207 n.16, 226 n.29 De Speculis 158, 161–4, 244 n.33 Hero of Byzantium (Hero the Younger) 137 hesychasm 129 heterosexuality 96–7 heterotopias 3, 139–40 oneiric heterotopias 140–1, 148–9 Hinduism 108–9 homosexuality 94–5, 98–9, 100–1, 102–3 Hypnerotomachia Poliphili 140–1, 148–53 mirrors 152, 153–4 Iamblichus 109 Ibn-Ishaq, Hunayn 48, 209 n.20 icons 128, 184 acheiropoietic icons 178–81, 182, 184–7 iconoclasm 2, 129 painting 189–90, 193–4 Idleness (Oiseuse, Le Roman de La Rose) 87–8, 141–3 illusions 3, 34, 157–8, 163, 167 See also deception; magic; reality images controlling appetite 16 idols (simulacra) 30–2, 33–5, 36–9, 139 insects 123–4 intentionalist interpretation 23–4 iron mirrors 50 Italikos, Michael 132 ivory Metropolitan Crucifixion Ivory 181–2 mirror cases 81, 83–7 mirror handles 69, 215 n.65 qualities of 85, 91 Jain mirror ritual 108 John Chrysostom 136 John of Damascus 129 katoptron 60–2, 119, 127, 134, 136 Kircher, Athanasius 191 Kosofsky Sedgwick, Eve 94–5, 101 Koumanoudis, Stefanos 193 Lacan, Jacques 3, 98, 99 lamp wicks 77–9 Latin language 47–8, 139 mirrors in 64, 66–7, 124–5 in Roman Egypt 65 style of Lucretius 35–6, 40–2 See also etymology; Roman culture

279

Index lecanomancy 32, 116, 132, 135 left-right inversion 2, 24–7, 38–9, 115 letters 131–2 light 21–7 and dark 98–9 and the Dioscuri 76 divine 130, 133, 135 MesoAmerican society 108–9 Tideus’ theory of reflection 43, 45–7, 50, 52–5 See also lamp wicks liminal spaces human and divine 75, 107, 108–9 in Hypnerotomachia Poliphili 150–3 living and dead 77 in Le Roman de la Rose 139–40, 141, 145–7 literature, as mirror 136 liver bronze 11, 201 n.13 in embodied soul 9–10 hepatoscopy 10–14 liver-mirror analogy 9–17, 163, 170 Lorenz, H. 15 Lorris, Guillaume de 81, 87, 141, 148 love tokens 69, 81, 83–7, 90–1, 221 n.15 Lucian Icaromenippus 166, 171, 172–5 True Histories 113–14, 165–6 Lucretius De Rerum Natura 29–42, 119–21 scientific method 35–6, 41–2 use of language 35–6, 40–1 lunar. See moon magic 2, 36, 102, 142–3, 167–8 See also illusions Mandylion 181, 184–7 marriage contracts 62–4, 65, 67 Maximoú 127, 132 medieval period. See Middle Ages Medusa 110 Meletios of Chios 189–90 MesoAmerican society 108–9 metal mirrors 53, 81, 157–8, 235 n.21 bronze mirrors 11, 13–14, 67–70, 73–80, 179, 201 n.12, 202 n.29, 202 n.30 iron mirrors 50 silver mirrors 68, 69, 70 metaphors (mirrors as) 2–4, 110, 127, 132, 135, 179 title metaphors 136–7 Metropolitan Crucifixion Ivory 177–87 Middle Ages fin’ amor 81, 82–7, 90 mirrors 2, 4, 81, 82–7, 89, 90–1, 136

280

mimesis artistic 158–62, 178, 184, 244 n.36 and religious aura 107 mirror images 3, 157–8 colour 21–7 reality of 19–21 temporary nature 161, 163–4 mirroring process 19 paintings 95–6, 99–102, 131–2, 158–61, 203 n.39 mirror of nature 119–25 mirrors 1, 6 Etruscan mirrors 79–80 folding mirrors 68–70 in Graeco-Roman Egypt 68–71 as medium 4, 132–3, 161–2 mirrors of nature 119–25 multiple mirrors 38–41, 113–14, 161 portable 69, 81, 82–7, 90–1 size of mirrors 46–7, 53–5, 159 See also curved mirrors; flat mirrors; reflection; reflective surfaces moon and the earth 169–75 great lunar mirror 165–7 reflection of the sun 167–8 morality 87–9, 119 motion 159–60 Mount Athos 189–90, 193, 195, 196, 244 n.35 multiple mirrors 38–41, 113–14, 161 Narcissus 60, 84, 110 fountain of 141–2, 143–7 and The Picture of Dorian Gray 93–8, 100, 102–3 Neophytos the Recluse 135, 136 Nicean Creed 128 Nicholas of Otranto 135 observatories 174, 240 n.52 obsidian 108–9 Oiseuse (Le Roman de La Rose) 87–8, 141–3 ontology of reflection 19–21, 109–12, 117 See also reality open door analogy 34–5, 36, 37 optical illusions. See illusions osyptrum 60, 62–7, 127–8, 133–4, 136 Ovid, Metamorphoses 93–4, 96–8, 102, 142, 146, 233 n.26 paintings 15–16, 21 mirroring process 95–6, 99–102, 131–2, 158–61, 203 n.39 Painter’s Manual 193–4 school of Symi 189–90 Palamas, Gregory 130

Index Panselinos, Manouel 193–4, 196, 244 n.27 Papadopoulos-Kerameus, A. 193 Papaioannou, Stratis 136 papyri (Graeco-Roman) 59, 67–8 words for mirror 60–7, 68–71 Parmenides 169 Parthenius 93 Paul (Apostle) Letters to the Corinthians 129, 130–1, 133, 178–9 Letter to the Hebrews 128 Pausanius 93, 113, 115–16, 163–4 perception illusions 157–8 of mirror images 19–21 perceptibility of God 128–9, 130, 137–8 visual 23–7, 30–1, 44, 51–2, 130 See also vision phantasia 6, 20, 158, 163 Philes, Manuel 129, 134, 135–6 Philippos 137 Philo of Alexandria 163 phlomis 77–8, 219 n.53 Physiologus 128 plane mirrors. See flat mirrors Plato Respublica 9, 109, 110, 117, 158–9 Theaetetus 26 Timaeus 9–11, 12–17, 202 n.34 pleasure 42, 121–2 Pliny the Elder 77–8, 121, 210 n.38 Plutarch The Cleverness of Animals 123–4 De facie 168–71, 173 De Pythiae oraculis 160 Moralia 123–4 pneuma 20, 44, 49, 208 n.8, 211 n.54 psychic pneuma 44–6 Poliphilo. See Hypnerotomachia Poliphili Polizzi, Gilles 141 Pollux and Castor 73, 74–8 polyptoton 40–1 polytheoron 114 portable mirrors 69, 81, 82–7, 90–1, 221 n.15 portals 150–1, 152–3 portraits of Dorian Gray 95–100 sculpture 160–1 See also paintings Posidonius 240 n.52 Prometheus 13, 191, 197 prophecy. See divination psychosomatic experiences 16 Ptolemy, Claudius 43–4, 161 rainbows 19 Rangavis, Alexandros 193, 196

reality 1, 3 mirror images 19–21, 27–8, 34–5, 101, 107, 110–11, 159 paintings 102 See also illusions; ontology of reflection reason 9–10, 15–16, 202 n.38 reflection Lucretius’ theories 37, 38–40, 42 ontology 109–12, 117 in paintings 95–100 religious aura 74, 107–9, 112–17, 137–8 repeated 38–41 self-knowledge 2–3, 83, 98, 119, 136, 144–5, 150–1 Tideus’ theories 43, 45–7, 53–5 See also catoptrics; catoptromancy; mirrors reflective surfaces 108–9, 113, 157–8 in dream spaces 140, 141, 144–6, 153–4 lecanomancy 32, 116, 132, 135 liver 14, 15 three-dimensional surfaces 35 unspotted mirror 127–8, 130–1 water 135, 168 See also mirrors refraction 2, 44, 147, 173 See also distortion Reggio di Calabria 48, 209 n.22 relation (schesis) 22, 24–7, 205 n.21 relationships, in The Picture of Dorian Gray (Wilde) 95–100 religion Christianity 117, 127–31, 137–8 Etruscan 74, 77 Hinduism 108–9 Jainism 108 and reflection 107–9, 112–17, 137–8 religious artefacts Metropolitan Crucifixion Ivory 177–87 relics 184–7 votive offerings 67–8, 70–1 See also icons Renaissance 95–6, 141 mirrors 2, 82 revelation, using mirrors 127, 133, 135–6, 137, 178–9 rhetorical devices 40–1 riddles 129, 132–3 right-left inversion 2, 24–7, 38–9, 115 ritual use of mirrors 112–13 Dionysiac Mysteries 32, 116, 117 Jain mirror ritual 108 Roman culture 117, 119, 121, 124–5, 167, 191 Villa of the Mysteries, Pompeii 32, 116 See also Graeco-Roman world; Latin language Le Roman de la Rose 81, 83, 140–8 mirrors 87–9, 141–3, 153–4 Romanos I Lecapenos 184–5, 186–7

281

Index St Elmo’s fire 76 St Hilarion 135 St Paul (the Apostle) Letters to the Corinthians 129, 130–1, 133, 178–9 Letter to the Hebrews 128 Salmacis 142, 143, 146, 233 n.26 schesis (relation) 22, 24–7, 205 n.21 sculpture 160–1 see-through veil 127, 133–4 self-fashioning 82 self-knowledge 2–3, 98, 119, 136 fin’ amor 140, 150–2 Seneca 29, 42, 161 senses 9–10, 29–30, 33–4, 151–2 See also vision sexuality 93 heterosexuality 96–7 homosexuality 94–5, 98–9, 100–1, 102–3 sight. See vision silver mirrors 68, 69, 70 Simonides, Konstantinos 189–97 simulacra. See under images Socrates 26, 109, 158–9 soul. See embodied soul specula literature 2 spherical mirrors. See curved mirrors spirit 9–10 spiritualist interpretation 23–4 stand mirrors 69 Stoic theory of vision 19–20, 44 sun, relationship with the moon 169–71 surfaces. See reflective surfaces Symais 189–97 Symeon the New Theologian 135 Tarquinian tombs 75 telescopes 174, 190 temples 114–16 terminology for mirrors Greek language 60–7, 124–5, 133 Latin language 124–5 Theodore II Laskaris 134 Theodore the Studite 129, 131 theophany 135 Thessalian trick 167

282

threefold mirrors 69–70 Tideus De Speculis 43–8, 50–5, 209 n.20 identity of 48–9, 209 n.24 tombs, Tarquinian 75 Tornikes, Euthymios 131 Triclinius, Demetrius 171–2 tripartite soul. See embodied soul underworld 77, 170, 181 See also death unspotted mirror 127–31 Varro 124 verbascum 77–8, 219 n.53 Vergil 124 Veronica 187, 242 n.55 Villa of the Mysteries, Pompeii 32, 116 virtual images 109, 111, 117, 157–8 vision 24–7, 130, 183 aids to 137–8 direct vision 43–5, 50–3 theories of 19–21, 23–4, 43–5, 50 See also perception visualization 14–15, 16–17 Vogl, Sebastian 47, 49 votive offerings 67–8, 70–1 Wälchli, P. 172–3 water 53 fountains 141–7 reflection in 135, 168 wells 113, 165–6, 173–4 Wilde, Oscar 103 The Picture of Dorian Gray 93, 94–103 wine, as mirror 60, 109 women mirror gazing 13, 15, 83, 84–5, 179, 240 n.8 mirrors and fin’ amor 82–6, 90 possession of mirrors in antiquity 13, 59, 67–8, 70–1, 74, 75–6, 79 See also gender objects wonder 37–8, 111–12, 157 Xanthopoulos, Nicephoros Callistos 136
 
Top